I write in a room which opens out upon a balcony. Below it is a garden, below that foliage, and farther down the town with its old speckled roofs, spires, and queer little squares. Beyond is the Neckar, with the bridge, and white statues on it, and an old city gate at this end, with pointed towers. Beyond that is a white road with a wall on one side, along which I see peasant women walking with large baskets balanced on their heads. The road runs down the river to Neuenheim. Above it on the steep hillside are vineyards; and a winding path goes up to the Philosopher's Walk, which runs along for a mile or more, giving delightful views of the castle and the glorious woods and hills back of it. Above it is the mountain of Heiligenberg, from the other side of which one looks off toward Darmstadt and the famous road, the Bergstrasse. If I look down the stream, I see the narrow town, and the Neckar flowing out of it into the vast level plain, rich with grain and trees and grass, with many spires and villages; Mannheim to the northward, shining when the sun is low; the Rhine gleaming here and there near the horizon; and the Vosges Mountains, purple in the last distance: on my right, and so near that I could throw a stone into them, the ruined tower and battlements of the northwest corner of the castle, half hidden in foliage, with statues framed in ivy, and the garden terrace, built for Elizabeth Stuart when she came here the bride of the Elector Frederick, where giant trees grow. Under the walls a steep path goes down into the town, along which little houses cling to the hillside. High above the castle rises the noble Konigstuhl, whence the whole of this part of Germany is visible, and, in a clear day, Strasburg Minster, ninety miles away.
I have only to go a few steps up a narrow, steep street, lined with the queerest houses, where is an ever-running pipe of good water, to which all the neighborhood resorts, and I am within the grounds of the castle. I scarcely know where to take you; for I never know where to go myself, and seldom do go where I intend when I set forth. We have been here several days; and I have not yet seen the Great Tun, nor the inside of the show-rooms, nor scarcely anything that is set down as a “sight.” I do not know whether to wander on through the extensive grounds, with splendid trees, bits of old ruin, overgrown, cozy nooks, and seats where, through the foliage, distant prospects open into quiet retreats that lead to winding walks up the terraced hill, round to the open terrace overlooking the Neckar, and giving the best general view of the great mass of ruins. If we do, we shall be likely to sit in some delicious place, listening to the band playing in the “Restauration,” and to the nightingales, till the moon comes up. Or shall we turn into the garden through the lovely Arch of the Princess Elizabeth, with its stone columns cut to resemble tree-trunks twined with ivy? Or go rather through the great archway, and under the teeth of the portcullis, into the irregular quadrangle, whose buildings mark the changing style and fortune of successive centuries, from 1300 down to the seventeenth century? There is probably no richer quadrangle in Europe: there is certainly no other ruin so vast, so impressive, so ornamented with carving, except the Alhambra. And from here we pass out upon the broad terrace of masonry, with a splendid flanking octagon tower, its base hidden in trees, a rich facade for a background, and below the town the river, and beyond the plain and floods of golden sunlight. What shall we do? Sit and dream in the Rent Tower under the lindens that grow in its top? The day passes while one is deciding how to spend it, and the sun over Heiligenberg goes down on his purpose.