BOUTEROUE (PALMYRE), sister of the preceding, worked like a slave to support her brother, and died completely worn out by toil and hardship at the age of thirty-five. La Terre.

BOUTEROUE (VINCENT), a poor peasant, whom the daughter of the Pechards insisted on marrying despite the opposition of her mother. They both died of want, leaving two children, Palmyre and Hilarion. La Terre.

A Zola Dictionary — Part 49

BOUTEROUE (MADAME VINCENT), see Mademoiselle Pechard.

A Zola Dictionary — Part 49

BOUTHEMENT PERE, a shopkeeper at Montpellier, who sent his son to Paris to learn business. He was disgusted to find that the simple salesman in Paris could earn three times as much as he himself could make, and he was stupefied on seeing the vast emporium in which his son served. Au Bonheur des Dames.

A Zola Dictionary — Part 49

BOUTHEMONT, manager of the silk department at “The Ladies’ Paradise.” Noisy and too fond of company, he was not much good for sales, but for buying he had not his equal. Nearly every month he went to Lyons, living at the best hotels, with authority to treat the manufacturers with open purse. He had, moreover, liberty to buy what he liked, provided he increased the sales of his department in a certain proportion settled beforehand; and it was on this proportion that his commission was based. Eventually, however, his position was undermined, and Madame Desforges, having become jealous of Mouret, and wishing to injure him, introduced Bouthemont to Baron Hartmann, who lent him money to start an opposition establishment called “The Four Seasons.” This was burned down three weeks after its opening, but the enormous loss was covered by insurance. Au Bonheur des Dames.

BOUTIGNY, Lazare Chanteau’s partner in the chemical business, into which he put thirty thousand francs. After the failure of the venture, he took over the whole concern, and began to manufacture potash from seaweed by the old methods. He was very successful in this, and by degrees began to employ on a small scale the scientific systems which had before proved disastrous. In a few years he amassed a considerable fortune. La Joie de Vivre.

BOUTIN, a retired artist’s-model who kept a studio in Rue de la Huchette, which was frequented by Claude Lantier, who went there for purposes of study. A subscription of twenty francs enabled young artists to have the free use of models. L’Oeuvre.