But the hotel, when they alighted, pleased her. The vast entrance hall, with its prodigality of tender rosy light, the people belonging to the very best families who sat about in monstrously large armchairs set at vast intervals on the lawny carpets, were not in the least embarrassed by the publicity of their position and shone physically with well-being and the expectation of pleasure; the grandiose marble corridors, the splendid version of a lift, and the number of storeys that flashed past them, all very much the same, but justifying their monotony by their stateliness, like modern blank verse, made her remember solemnly her inner conviction that she would some day find herself amid surroundings of luxury.

The necessity of looking as if she were used to and even wearied by this sort of thing weighed heavily on her, for she felt that it was almost dishonour not to express the solemn joy this magnificence was giving her. So she stood in the fine room to which Mrs. Yaverland took her, and after having resolved that the minute she was left alone she would touch the magnificent crimson velvet roses that stood out in high relief all over the wallpaper, she felt that she could not graciously withhold praise from this which was to be her own special share of the splendour. She moved shyly towards Mrs. Yaverland, who had gone to the window and was looking down in the night, and said shyly, "This is a very fine room," but, she knew, too softly to reach such markedly inattentive ears. She stood there awkwardly, feeling herself suspended till this woman should take notice of her. If her mother had been with her they would have had a room with two beds, and would have talked before they went to sleep of the day and its wonderful ending in this grand place. She sighed. Mrs. Yaverland turned round.

The Judge — Part 168

"Come and look at your view," she said, and raised the sash so that they could lean out.

The Judge — Part 168

Beneath there was a deep drop of the windless, scentless darkness that night brings to modern cities; then a narrow trench of unlit gardens obscured by the threadbare texture of leafless tree-tops, then a broad luminous channel of roadway, lined with trees whose natural substance was so changed by the unnatural light that they looked like toy trees made of some brittle composition, and traversed by tramcars glowing orange and twanging white sparks from invisible wires with their invisible arms; at its further edge a long procession of lights stood with a certain pomp along a dark margin, beyond which were black flowing waters. To the left, from behind tall cliffs of masonry pierced with innumerable windows that were not lit, yet gleamed like the eyes of a blind dog, there jutted out the last spans of a bridge, set thickly with large lights whose images bobbed on the current beneath like vast yellow water-flowers. On another bridge to the right a train was casting down on the stream a redness that was fire rather than light. On the opposite bank of the river, at the base of black towers, barges softly dark like melancholy lay on the different harsher darkness of the water, and showed, so sparsely that they looked the richer, a few ruby and emerald lights. Above, stars crackled frostily, close to earth, as stars do in winter.

The Judge — Part 168