“What for he send a certificate and go to bed?” Abd-el-Atti wants to know. “I not like the looks of it.” He began to be suspicious of all the world.
In the morning the gentleman returned our call. He did not know or care whose rocket set fire to the town. Couldn't hurt these towns much to burn them; small loss if all were burned. The governor had called on him to say that no damage was done. Our dragoman had, however, no right to accuse his of buying stolen rockets. His were bought in Cairo, etc., etc. And the matter dropped amicably and without bloodshed. But Abd-el-Atti's suspicions widened as he thought it over:—
“What for de Governor come to me? What for he not go to dat boat what fire de rocket? What for de Governor come been call on me wid a rocket? The Governor never come been call on me wid a rocket before!”
It is customary for all boats which are going above the first cataract to stop at Esneh twenty-four hours to bake bread for the crew; frequently they are detained longer, for the wheat has to be bought, ground in one of the little ox-power mills, mixed and baked; and the crew hire a mill and oven for the time being and perform the labor. We had sent sailors ahead to bake the bread, and it was ready in the morning; but we stayed over., according to immemorial custom. The sailors are entitled to a holiday, and they like to take it where there are plenty of coffee-houses and a large colony of Ghawazee girls.
Esneh is not a bad specimen of an Egyptian town. There is a temple here, of which only the magnificent portico has been excavated; the remainder lies under the town. We descend some thirty feet to get to the floor of the portico,—to such a depth has it been covered. And it is a modern temple, after all, of the period of the Roman occupation. We find here the cartouches of the Cæsars. The columns are elegant and covered with very good sculpture; each of the twenty-five has a different capital, and some are developed into a hint of the Corinthian and the composite. The rigid constraints of the Egyptian art are beginning to give way.
The work in the period of the Romans differs much from the ancient; it is less simple, more ornamented and debased. The hieroglyphics are not so carefully and nicely cut. The figures are not so free in drawing, and not so good as the old, except that they show more anatomical knowledge, and begin to exhibit a little thought of perspective. The later artists attempt to work out more details in the figure, to show muscles and various members in more particularity. Some of the forms and faces have much beauty, but most of them declare a decline of art, or perhaps an attempt to reconcile the old style with new knowledge, and consequent failure.