One of the novel features of this establishment is a swimming pool, into which the sulphur water rushes up from the artesian well with great force. There is room in the pool (40 by 120 feet) for scores of swimmers, and there is always a number of visitors looking from the galleries above on the lively scene below. With the mercury ranging between 70 and 80 the sulphur water is indeed refreshing; and they say it is quite invigorating. Temperature of the water, 75 degrees.
In the Hotel Cordova you will notice some changes, for the indefatigable manager, E. N. Wilson, is never content with his efforts. There is a new dining-room for instance. The best seems not good enough for Mr. Wilson, and his critical eye is always finding some way to improve the house and to add to its comfort. He has redecorated the parlor. The walls are now richly papered but the tints are not satisfactory--to Mr. Wilson. The furniture and carpets are in dark colors, so Mr. Wilson later on contemplates covering the walls with white and gold for an artistic contrast. Expensive? Yes, I should say so, but who cares for the expense? Mr. Flagler has a very long purse and Mr. Wilson has _carte blanche_. If the owner in planning these hotels had thought only of pecuniary profit probably they would never have come into existence in their present form. It is an idea with him to beautify the ancient city, and a half million dollars more or less make little or no difference to Mr. Flagler. Yet his hotels are conducted with a careful regard of business-like methods, although this is not apparent to the casual observer.
By the way, I have the very best of reasons for knowing that Mr. Flagler’s private acts of charity are many and munificent. After making full and proper inquiry into a case presented to him he always responds, but he never wants his generous acts to be made public. He will not thank me for this “mention,” I feel sure, but it is his due and possibly no harm can come from printing it.
Mr. Flagler has bought all the land around and about his three hotels, so that nobody can erect anything anywhere near him. He is not the man to do anything by halves.
The sitting-room in which this is penned is one of a suite I occupy in the castellated tower on a corner of the Hotel Cordova. The walls of the building are of gray coquina. Outside each window is a small and separate “kneeling balcony,” protected by ornamental iron railings, painted a reddish brown--such balconies as you see in some buildings in Madrid. The windows have white lace curtains and the shades are alternate blue and crimson--contrasting pleasantly with the neutral tint of the outer walls. To the east, within stone’s throw, is Cordova Park; to the west, the same distance, is the one-acre park of the Alcazar, with its tropical foliage, pretty walks and handsome fountain; while diagonally opposite, same distance again (about one hundred feet), loom up the terra-cotta turrets, towers, arches and gabled roofs of the Ponce de Leon Hotel, with its grand park of four and a half acres. This may convey some idea of the situation; to describe the scene requires the pen if not the pencil of an artist.