No sooner did Luciana hear that the Count was an amateur of music, than at once she must get up something of a concert. She herself would sing and accompany herself on the guitar. It was done. The instrument she did not play without skill; her voice was agreeable: as for the words one understood about as little of them as one commonly does when a German beauty sings to the guitar. However, every one assured her that she had sung with exquisite expression, and she found quite enough approbation to satisfy her. A singular misfortune befell her, however, on this occasion. Among the party there happened to be a poet, whom she hoped particularly to attach to herself, wishing to induce him to write a song or two, and address them to her. This evening, therefore, she produced scarcely anything except songs of his composing. Like the rest of the party he was perfectly courteous to her, but she had looked for more. She spoke to him several times, going as near the subject as she dared, but nothing further could she get. At last, unable to bear it any longer, she sent one of her train to him, to sound him and find out whether he had not been delighted to hear his beautiful poems so beautifully executed.

"My poems?" he replied, with amazement; "pray excuse me, my dear sir," he added, "I heard nothing but the vowels, and not all of those; however, I am in duty bound to express all gratitude for so amiable an intention." The dandy said nothing and kept his secret; the other endeavored to get himself out of the scrape by a few well-timed compliments. She did not conceal her desire to have something of his which should be written for herself.

The German Classics of The Nineteenth and Twentieth Centuries, Vol. II — Part 128

If it would not have been too ill-natured, he might have handed her the alphabet, to imagine for herself, out of that, such laudatory poem as would please her, and set it to the first melody that came to hand; but she was not to escape out of this business without mortification. A short time after, she had to learn that the very same evening he had written, at the foot of one of Ottilie's favorite melodies, a most lovely poem, which was something more than complimentary.

The German Classics of The Nineteenth and Twentieth Centuries, Vol. II — Part 128

Luciana, like all persons of her sort, who never can distinguish between where they show to advantage and where to disadvantage, now determined to try her fortune in reciting. Her memory was good, but, if the truth must be told, her execution was spiritless, and she was vehement without being passionate. She recited ballad stories, and whatever else is usually delivered in declamation. At the same time she had contracted an unhappy habit of accompanying what she delivered with gestures, by which, in a disagreeable way, what is purely epic and lyric is more confused than connected with the dramatic.

The German Classics of The Nineteenth and Twentieth Centuries, Vol. II — Part 128