After completing ten years of searching for and locating some of the finest pieces in this field of Americana, these notes and checklists are offered so that the collector and dealer may avoid the ordinary pitfalls that await the novice.

This is probably the first attempt at giving a working knowledge of the field of sheet music collecting.

The Collector's Guide, 1940 — Part 25

Not a history of American Music but a necessary tool for every Rare and Out of Print Dealer and even the seasoned collector of this interesting material.

The Collector's Guide, 1940 — Part 25

Definitely names highspots and attempts at valuation (Both the Author and Publisher realize that prices in such a field can only be approximate as condition, demand and scarcity are prime factors.)

The Collector's Guide, 1940 — Part 25

Included is a Checklist of Early American Music Publishers, their places and dates of operation.

Many Full Page Reproductions of Important Items

Cloth bound, Autographed Copies Strictly Limited to the number of orders received before Feb. 1, 1940. Publication Date: Feb. 10, 1940.

Specially Priced Edition in Wrappers at $2.00

Regular Trade Discount to Dealers on 2 Copies or More

PINWHEEL PRESS PRINTERS AND PUBLISHERS 142 S. 11th STREET PHILADELPHIA, PA.

_Order direct from publisher or your bookseller_

Bookplate collectors who desire to know what collections have been assembled, where they are, the type of material gathered, how they are cared for, and their availability for study and consultation, should procure a copy of “A Census of Bookplate Collections in Public, College and University Libraries.” It was compiled by Carlyle S. Baer, presiding genius of the American Society of Bookplate Collectors & Designers, and Miss Clara Therese Evans, of Columbia University. The cost is $1.00 and it can be obtained by writing to Mr. Baer at 1763 Euclid St., N.W., Washington, D. C.

Robert L. Shurter presents in the July, 1939, issue of the SOUTH ATLANTIC QUARTERLY, an article on “The Writing of Looking Backward”, in which the facts regarding the composition, purpose, and subsequent influences of Edward Bellamy’s novel are set forth.

We understand that a committee of bibliographers headed by Lawrence C. Wroth, librarian of the John Carter Brown Library, Providence, is making plans for the compilation and publication of a “Cooperative Catalogue of Americana, 1700-1800”, and will be based upon material now housed in the principal libraries of this country. It will contain all eighteenth century historical material relating to the Western hemisphere, except newspapers, broadsides, maps, prints, almanacs, legislative and administrative proceedings and statute laws. A preliminary survey has disclosed that only about half of the existing material is recorded in either Sabin or Evans.