Naples 1760 = Millingen-Reinach, 52 = _Wiener Vorl._ B. 4, 3.
(12) Merope (a scene from the tragedy of that name).
Munich 810 = Reinach, i. 363: see Vogel, _Scenen Eur. Trag._ p. 118.
(13) Pandareos with the golden dog of Zeus, which he stole.
Louvre A 478 = _Hermes_ 1898, p. 638; _Bull. de Corr. Hell._ 1898, p. 586.
Munich 125 (= Reinach, ii. 120 = Furtwaengler and Reichhold, pl. 31), and 584 = Reinach, ii. 88; Bibl. Nat. 818 = _Gaz. Arch._ 1880, pl. 14; Micali, _Mon. Ined._ pl. 41.
Berlin 2538 = Reinach, ii. 162: cf. Apollod. iii. 13, 3.
[Illustration: FIG. 131. PENTHEUS SLAIN BY MAENADS (BRITISH MUSEUM).]
(16) Pentheus torn to pieces by his mother Agave and the frenzied Maenads.
B.M. E 775 = Fig. 131; Munich 807 = Baumeister, ii. p. 1204, fig. 1396; Jatta 1617 = Müller-Wieseler, _Denkmaeler_, ii. 37, 436; _Jahrbuch_, 1892, pl. 5 (and see p. 154); _Gaz. Arch._ 1879, pls. 4–5 (?).
Furtwaengler and Reichhold, pl. 59 (vase in Palermo, formerly interpreted as Dionysos and Ariadne: see text, p. 296, for the correct interpretation).
B.M. E 291 = _Wiener Vorl._ C. 8, 1. For other Phineus scenes, see pp. 81, 115.
_Amer. Journ. of Arch._ 1899, pl. 4 (interpreted as Athamas): cf. _Class. Review_, 1903, p. 276 and Harrison, _Prolegomena to Gk. Religion_, p. 61.
(20) Thoas placed in the chest by Hypsipyle.
Berlin 2300 = Reinach, i. 273: see Ap. Rhod. i. 622, and Hartwig, _Meistersch._ p. 374.
(21) Aktor and Astyoche (uncertain reference).
_Jahrbuch_, 1902, pl. 2 (in Boston): see _ibid._ p. 68, _Il._ ii. 513 and 658; _Schol. in_ Pind. _Ol._ vii. 42.
(22) The foundation of Boiae in Laconia by the appearance of a hare.
Reinach, ii. 333 = Inghirami, _Vasi Fitt._ 120 (this is exceedingly doubtful).
(23) Two boys delivered to a Nymph (unknown myth).
The story of =Orpheus= often finds a place on vases of the R.F. period,[1441] but is chiefly confined to two episodes, his playing the lyre among a group of Thracians[1442] (the men recognisable by their costume, see p. 179), and his pursuit by the Thracian women[1443] and subsequent death at their hands.[1444] In one scene his head after his death is made use of as an oracle.[1445] He is often present in under-world scenes (see p. 68), but not always in connection with the fetching back of Eurydike.[1446]