Laurence went forth onto the bright, hot corridor, and paused at the stairhead. He was honestly tired both in mind and body. He needed, and would take, an honest night's rest. But one thing was sure. Whether he had decided or merely yielded, whether he represented the positive or negative element, he knew not; but this he did know, that the Commonplace, and all the ease of it, might wait. He was not ready for that just yet.
Of the first twelve keys, some slipped round without effect, some stuck and were withdrawn with difficulty. But the wards of the thirteenth bit into the lock, and the bolt gave with a click. Laying hold of the cylindrical front of the escritoire, Laurence pushed it up and back. Within, a row of arcaded pigeon-holes was disclosed; and on either side these, a range of little drawers, the pale, bright wood of which retained its pristine polish, while the colours of the painted medallions adorning them were very fresh though frail. The cupids, the little figures of lover and mistress, courtier and prince, were instinct with vivacity and grace--the heedless vivacity, the artificial grace of those over-ripe, luxurious periods which carry in their womb the seeds of revolution and social catastrophe. Laurence was moved, observing it all. Evidently the bolt had not been shot, the rounded front run back, and this mimic world of fine-fanciful elegance displayed for many years. And then this pretty toy of a thing seemed so slight and incongruous a receptacle for the storage of momentous secrets. Yet that the secrets it held were momentous, dealing with problems of life and death, subtle transformations of flesh and spirit, the young man--notwithstanding the soothing influences of a healthy night's rest, and the pre-eminently unexciting ones of a grey, wet, March afternoon--felt no doubt. For he had given in, as he believed, finally, to the adventure; and with that giving in, his faith in the magnitude of it suffered, by natural rebound, serious increase.
So reverently, and as one who approaches a long disused shrine containing promise of strange and precious relics, he opened the shallow drawers and examined their contents. The first three were filled with packets of letters, written on thin, discoloured paper, and tied, some with pink, some with yellow, sarsenet ribbon. Each packet was neatly dated, the dates ranging, as Laurence gathered in a first hasty survey, from the year 1802 to the year 1805. The remaining drawers contained a collection of objects, miscellaneous in character but united in the thought (as he divined) of whoso placed them there, side by side, by some exquisitely tender sentiment.--A man's paste shoe-buckles, square and bowed, the silver settings of them tarnished to blackness, reposed beside a woman's striped, waist ribbon, cinnamon and white, embroidered in buds and scattered full-blown roses. Here were seals cut from envelopes, the cracked and blistered wax of them impressed with the Rivers's arms and crest; and a store of semi-transparent, delicately tinted shells, spoils of some far-distant, southern coast. There were trinkets, too, rings and bracelets of intricate Indian workmanship; and a cluster of coral charms, of Neapolitan origin, with the tiny golden hand, first and fourth fingers stiffly extended, which keeps off the Evil Eye. Next, little posies, such as a lover might pluck and his mistress might wear for an evening, pinned, to please him, in the bosom of her dress. These last were pressed and flattened, the several hues of the once radiant blossoms faded to an ashen uniformity of tint. They were sadly brittle, too; and though Laurence raised them with careful fingers, crumbled to nothingness under his touch. Then he lighted on a man's watch, a great, gold warming-pan of a thing, with a guard of black lustre ribbon and a bunch of heavy seals attached. The back of the case bore the Rivers's crest--a bird of doubtful lineage, its wings extended for flight, its talons holding something, which to Laurence always appeared to bear humorous relation to a fool's cap. The case was also engraved with the initials L. R. in flowing and ornate lettering.