[2] "The Margravine of Baireuth and Voltaire." By Dr. George Horn. Translated by H.R.H. Princess Christian. p. 171.
Frederick, shortly after his accession to the throne, undertook the campaign against Austria, which when the other European Powers became involved, and there was arrayed against him perhaps the most powerful alliance ever formed, resulted in such disastrous wars, and for so many years disturbed the peace of Europe. How far the quarrel was justified, and whether the distinguished and eventful, and at the same time singular, career of Frederick as a King answered the high hopes formed of him, or proved for the common weal of his own country, are questions upon which varied opinions have been formed. It is now only fitting to trace slightly the passionate devotion and constant affection of the sister whose interest in his life and undertakings never waned. She never lost the refined and distinguished tastes of her youth, or abandoned the pursuit of literature and philosophy, and the cultivation of music. She was herself a proficient performer on several musical instruments, and found therein and in her love of learning a solace amidst the domestic troubles which came to embitter her life, and the enfeebled health in which it was passed. She set a brilliant example to her people. It has been said: "For twenty-three years the Court of a country numbering only 200,000 inhabitants rivalled those of other great countries in intellectual importance and renown. The Margravine was the magnet which attracted all that was greatest and most celebrated, all that was worthy of esteem and consideration."[3]
[3] "The Margravine of Baireuth and Voltaire." p. 2.
After the old Margrave's death her husband presented to her the Hermitage, a country residence near Baireuth, which she describes as a perfectly unique place, and as becoming under her directions one of the most beautiful castles in Germany. She gave much time and attention to its improvement, laying out the grounds and adding the most elaborate and beautiful works of art. It was at the Hermitage in the year 1744 that the Margravine wrote her celebrated Memorials, which form the chief authority for this account. These Memorials are deeply interesting and afford a striking picture of the Court life of the period. If the writer occasionally descends to coarseness or indelicacy, or speaks bitterly of her earliest years, or disrespectfully of her parents, we must remember the freedom of the time at which she wrote, the terrible hardships of her youth, her afflicted life, and still later, the loss of her husband's affections. On the whole she stands before us as a noble woman--the graceful and stately form, the beautifully modelled features, the dignified demeanour, befitting the possessor of the cultured mind, the kind heart, the constant and devoted life--faithful even to the death. It is to be regretted that the Margravine did not bring her Memorials down to a later period of her life. What remains of it is gleaned from her correspondence.