Perhaps among the many superstitions about these monuments which have survived into modern times there are some that recall the purpose for which they were designed. When Camden wrote, the Rollright Stones were still regarded as petrified men; and it has been suggested that the belief pointed to a time when popular imagination ‘transferred to the stone that marked the resting-place of the departed something of his very material being’.[903]
But of all the megalithic circles of our island one only is familiar, even by name, to us all. Stonehenge is the most famous and in its artlessness the most artistic of all rude stone monuments. Even those who have never visited it are acquainted with its form; and the imagination of Turner has caught the spirit of the scene. The grandeur of Stonehenge does not depend upon size: in its best days it bore much the same relation to Avebury as the Sainte Chapelle to the cathedral of Notre Dame; but, weather-worn and mutilated, with many of its stones fallen and others gone, it impresses all who are sensitive to nobility of design as the creation of a master mind. When the work was finished, if indeed it was not left incomplete, the outer circle probably formed a continuous architrave, all the stones supporting imposts, whose ends were wrought into bosses that rested in hollows prepared for their reception. Within was an incomplete circle of smaller stones, which in their turn surrounded five great trilithons, disposed in the form of a horse-shoe, of which two only remain. They have analogues in Tripoli and in Syria; but in this island they are unique.[904] On their inner side was a similar group of lesser stones; and within this choir lies a vast block, which is known as the Altar Stone.[905] From the north-eastern point of the trench that surrounds the rampart an avenue, flanked on either side by a bank and a shallow ditch, may still be traced for some four hundred yards; and on it stands the huge pillar called the Friar’s Heel.
A portion of the area of Stonehenge has recently been excavated; and more than a hundred of the rude tools have been recovered with which the stones were dressed. It was proved that the great sandstone boulders, commonly called sarsens, had been roughly trimmed where they were found on Salisbury Plain; for the fragments that were found by the excavators were very few.[906] After they had been carried to the place where they now stand[907] they were dressed with a skill which shows how far superior the masons were to those who had set up the rough blocks of Avebury. Each pillar was gradually uplifted by levers until it could slide down the sloping rim of the pit which the workers with their deer-horn picks had excavated, and of which the other three walls were vertical: then it was hoisted by ropes till it stood upright, and finally secured by a packing of smaller stones which supported it below. It is thus that megaliths are commonly erected in Japan to this day.[908] How the huge imposts were elevated is somewhat doubtful. The Khasis shove theirs up an earthen bank.[909] In Japan the stone is raised at one end by wooden levers, logs being inserted beneath it: the other end is raised by the same means; and thus by slow degrees the proper level is attained, when the stone is forced on to its supports.[910] Once it was thought that the ‘blue-stones’ of which the inner circle is composed had been fetched from Cornwall or Dartmoor,[911] or oversea from Ireland; but the geologist who was consulted after the excavation inferred from the vast number of angular chips which were discovered within the small area of operations that the stones had been not only dressed but also chipped into shape by the site of Stonehenge; and one can hardly believe that if it had been necessary to carry them from afar, the builders would not have reduced their weight by rough-hewing them where they were found.[912]