The band made a stately and melodious exit in the House of the Open Door and once inside broke ranks in haste to prepare for the second section of the parade—the procession of the animals. This was a much more complicated matter than the band had been, but it had been so well rehearsed that the crowd, who were being amused by the antics of the clown, had not time to grow impatient before they were ready. Shrieks of delight went up at the appearance of the five ferocious animals from Nowhere—The Camelk, The Crabbit, The Alligatortoise, The Kangarooster and The Salmonkey, and they had to go around the ring five times before being allowed to retire. The parade being such an unqualified success, it is needless to say that the circus proper went even better. The actors had all worked themselves up into the right mood for it.
The magician gave more entertainment than he had counted on, for the mice, which he had concealed in his pocket ready to produce from under the folded handkerchief, bit him before their turn in the show came, and the beholders were startled to see the magician suddenly spring into the air, uttering a wild yell and, thrusting his hand into his hip pocket, throw the cause of the disturbance half-way across the ring. The Fattest Man on Earth, who was Slim, with the addition of several pillows fore and aft, mounted the small stage and laboriously sat on a toothpick, breaking down the stage in the process; and the Inja Rubber Man did such amazing contortions that the audience began to hold their breath for fear he would never come untangled again.
When it happened to be her turn to go out in one of the numbers Hinpoha looked the audience over to see if Katherine Adams had come in response to her invitation, but she did not see her. But, while looking for Katherine, her eye was caught by a strange figure, the like of which she had never seen before. She was a woman, old and bent, and dressed in such old-fashioned clothes that she looked like a caricature out of a funny page. She had on a tight green basque, which flared out below the waist in a ripple and a very full red skirt, held out in a ridiculous curve by that atrocity of bygone days known as a “bustle.” She was climbing stiffly up and down among the spectators trying to sell papers which she was crying in a shrill voice. As she went up and down among the benches she held up her skirt in her hand, disclosing purple stockings and enormous flapping slippers. Wherever she went she was followed by a ripple of laughter; the audience seemed to be getting as much fun out of her as they were out of the show. Hinpoha told Nyoda about it when she was in the barn again and Nyoda asked all the players not to do anything to drive her away, as she was no doubt trying to make an honest living by selling papers wherever there was a crowd, and she was adding an unexpected touch to the circus to amuse the audience.