It is very striking to come from Froude's boisterous freedom in his letters to his sermons and the papers he prepared for publication. In his sermons his manner of writing is severe and restrained even to dryness. If they startle it is by the force and searching point of an idea, not by any strength of words. The style is chastened, simple, calm, with the most careful avoidance of over-statement or anything rhetorical. And so in his papers, his mode of argument, forcible and cogent as it is, avoids all appearance of exaggeration or even illustrative expansion; it is all muscle and sinew; it is modelled on the argumentative style of Bishop Butler, and still more, of William Law. No one could suppose from these papers Froude's fiery impetuosity, or the frank daring of his disrespectful vocabulary. Those who can read between the lines can trace the grave irony which clung everywhere to his deep earnestness.
There was yet another side of Froude's character which was little thought of by his critics, or recognised by all his friends. With all his keenness of judgment and all his readiness for conflict, some who knew him best were impressed by the melancholy which hung over his life, and which, though he ignored it, they could detect. It is remembered still by Cardinal Newman. "I thought," wrote Mr. Isaac Williams, "that knowing him, I better understood Hamlet, a person most natural, but so original as to be unlike any one else, hiding depth of delicate thought in apparent extravagances. _Hamlet_, and the _Georgics_ of Virgil, he used to say, he should have bound together." "Isaac Williams," wrote Mr. Copeland, "mentioned to me a remark made on Froude by S. Wilberforce in his early days: 'They talk of Froude's fun, but somehow I cannot be in a room with him alone for ten minutes without feeling so intensely melancholy, that I do not know what to do with myself. At Brightstone, in my Eden days, he was with me, and I was overwhelmed with the deep sense which possessed him of yearning which nothing could satisfy and of the unsatisfying nature of all things.'"[25]
Froude often reminds us of Pascal. Both had that peculiarly bright, brilliant, sharp-cutting intellect which passes with ease through the coverings and disguises which veil realities from men. Both had mathematical powers of unusual originality and clearness; both had the same imaginative faculty; both had the same keen interest in practical problems of science; both felt and followed the attraction of deeper and more awful interests. Both had the same love of beauty; both suppressed it. Both had the same want of wide or deep learning; they made skilful use of what books came to their hand, and used their reading as few readers are able to use it; but their real instrument of work was their own quick and strong insight, and power of close and vigorous reasoning. Both had the greatest contempt for fashionable and hollow "shadows of religion." Both had the same definite, unflinching judgment. Both used the same clear and direct language. Both had a certain grim delight in the irony with which they pursued their opponents. In both it is probable that their unmeasured and unsparing criticism recoiled on the cause which they had at heart. But in the case of both of them it was not the temper of the satirist, it was no mere love of attacking what was vulnerable, and indulgence in the cruel pleasure of stinging and putting to shame, which inspired them. Their souls were moved by the dishonour done to religion, by public evils and public dangers. Both of them died young, before their work was done. They placed before themselves the loftiest and most unselfish objects, the restoration of truth and goodness in the Church, and to that they gave their life and all that they had. And what they called on others to be they were themselves. They were alike in the sternness, the reality, the perseverance, almost unintelligible in its methods to ordinary men, of their moral and spiritual self-discipline.