/# In quoting some early letters of William James's in _Notes of a Son and Brother_, H.J. had not thought it necessary to reproduce them with absolutely literal fidelity. The following interesting account of his procedure was written in answer to some queries from his nephew on the subject. #/

/* Lamb House, Rye. November 15th-18th, 1913. */

The Letters of Henry James, Vol. II — Part 162

...It is very difficult, and even pretty painful, to try to put forward after the fact the considerations and emotions that have been intense for one in the long ferment of an artistic process: but I must nevertheless do something toward making you see a little perhaps how ... the editing of those earliest things other than "rigidly" had for me a sort of exquisite inevitability. From the moment of those of my weeks in Cambridge of 1911 during which I began, by a sudden turn of talk with your Mother, to dally with the idea of a "Family Book," this idea took on for me a particular light, the light which hasn't varied, through all sorts of discomfitures and difficulties--and disillusionments, and in which in fact I have put the thing through. That turn of talk was the germ, it dropped the seed. Once when I had been "reminiscing" over some matters of your Dad's and my old life of the time previous, far previous, to her knowing us, over some memories of our Father and Mother and the rest of us, I had moved her to exclaim with the most generous appreciation and response, "Oh Henry, why don't you _write_ these things?"--with such an effect that after a bit I found myself wondering vaguely whether I _mightn't_ do something of the sort. But it dated from those words of your Mother's, which gave me the impulse and determined the spirit of my vision--a spirit and a vision as far removed as possible from my mere isolated documentation of your Father's record. We talked again, and still again, of the "Family Book," and by the time I came away I felt I had somehow found my inspiration, though the idea could only be most experimental, and all at the mercy of my putting it, perhaps defeatedly, to the proof. It was such a very special and delicate and discriminated thing to do, and only governable by proprieties and considerations all of its own, as I should evidently, in the struggle with it, more and more find. This is what I did find above all in coming at last to work these Cambridge letters into the whole harmony of my text--the general purpose of which was to be a reflection of all the amenity and felicity of our young life of that time at the highest pitch that was consistent with perfect truth--to show us all at our best for characteristic expression and colour and variety and everything that would be charming. And when I laid hands upon the letters to use as so many touches and tones in the picture, I frankly confess I seemed to see them in a better, or at all events in another light, here and there, than those rough and rather illiterate copies I had from you showed at their face value. I found myself again in such close relation with your Father, such a revival of relation as I hadn't known since his death, and which was a passion of tenderness for doing the best thing by him that the material allowed, and which I seemed to feel him in the room and at my elbow asking me for as I worked and as he listened. It was as if he had said to me on seeing me lay my hands on the weak little relics of our common youth, "Oh but you're not going to give me away, to hand me over, in my raggedness and my poor accidents, quite unhelped, unfriendly: you're going to do the very best for me you _can_, aren't you, and since you appear to be making such claims for me you're going to let me seem to justify them as much as I possibly may?" And it was as if I kept spiritually replying to this that he might indeed trust me to handle him with the last tact and devotion--that is do with him everything I seemed to feel him _like_, for being kept up to the amenity pitch. These were small things, the very smallest, they appeared to me all along to be, tiny amendments in order of words, degrees of emphasis &c., to the end that he should be more easily and engagingly readable and thereby more tasted and liked--from the moment there was no excess of these _soins_ and no violence done to his real identity. Everything the letters meant affected me so, in all the business, as of _our_ old world only, mine and his alone together, with every item of it intimately known and remembered by me, that I daresay I did instinctively regard it at last as all _my_ truth, to do what I would with....

The Letters of Henry James, Vol. II — Part 162