The Duke was a singularly handsome boy, with grave, beautiful manners. He never looked untidy or slovenly. Like his mother, he wore his clothes in such a way that he always seemed better and more suitably dressed than other people. He was rather a silent person, but gave one the impression that he was silent from choice, not because he had nothing to say.

He was very unmistakably a member of the “classes,” and though exceedingly urbane and gracious to what he was pleased to call mentally his “inferiors,” he was so because it would be ungentlemanly to be otherwise.

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He would gravely assist a fishwife to raise her heavy creel to her shoulders, and lift his cap to her with a Hyde Park flourish when she started on her way. But he did so because he considered it the duty of a gentleman to assist women--not as Wiggins would have done, from a friendly interest in that particular fishwife. Slim, tall, and aristocratic, with oval face, straight nose, and big brown eyes, the Duke was a noticeable boy anywhere, and Mary was immensely proud of him.

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He was good at most games, and quick to learn. He ferreted out a pony in the next village and rode about the country, to the admiration of the natives. He golfed on the gentlemen’s links and played a very good game for his age. He went fishing with the minister and Wiggins, and he bicycled with his mother.

The Vagaries of Tod and Peter — Part 130

Since the advent of her eldest boy, it seemed to the minister that there was a certain remoteness about Mary. Certainly her time was very much taken up. The Duke required other amusements than those afforded by the beach, a bucket, and a wooden spade. He expected and received the constant companionship of his mother. On several occasions the minister was allowed to join their bicycling expeditions. To watch Mary bicycle was a never-ending wonder to him. She never seemed to go fast; it was only when you rode after her that you found she was hard to catch. The minister always wondered why her skirts never seemed to bunch and blow as did those of other women. He knew nothing of tailors as a great artistic power, but he was keenly alive to the result of their labors in the grace and symmetry of her appearance.

The Duke also was a constant surprise, but for him the minister’s frank admiration was tempered by a subtle but searching discomfort in his society.