At the Reformation chimes largely died out, but with the Restoration they revived, and we hear of them at Cambridge, Grantham, and elsewhere. Another kind of chime which may here be mentioned is that employed for striking the quarters for the clock. Here, of course, no mechanism is required beyond the connecting-wire which raises the hammer and drops it on the bell. Of such chimes the best known are the Cambridge Quarters, put up in Great S. Mary’s Church in 1793. They were composed by Dr. Jowett, the Regius Professor of Laws, assisted by the composer Crotch, who was then only eighteen. The latter is said to have adapted a movement in the opening symphony of Handel’s “I know that my Redeemer liveth,” for the purpose.
The practice sometimes adopted nowadays of playing hymn tunes on bells by means of ropes tied to the clappers is a miserable substitute for the mechanical contrivance. It not only causes agonies to the musical ear by the unavoidable occurrence of false notes, but is only too likely to lead to the destruction of the bells altogether, as the result of the “clocking,” of which I shall have more to say later.
We have seen that it is the normal rule in England for bells to be placed in towers forming part of the structure of churches; or rather it should be said that towers for containing the bells were regarded as an essential feature in the construction of a church from the Saxon period onwards. Over the greater part of the Continent the same also holds good; but in Italy we find detached bell-towers, or campaniles, to be of frequent occurrence. The most familiar examples in that country are the campanile of S. Mark’s at Venice, and that built by Giotto at Florence. There are many others in Northern Italy, especially at Bologna, and at Ravenna, where the churches are of great antiquity.[3]
Recently cast at the Whitechapel Foundry for Uckfield, Sussex. (See page 41).]
Nor are such campaniles altogether unknown in England. In mediaeval times they were attached to several of our cathedral churches, as, for instance, Old S. Paul’s, Chichester, Salisbury, and Worcester. The bells of Old S. Paul’s were traditionally gambled away by Henry VIII in 1534, and the campanile at Worcester did not survive the Reformation; but that at Salisbury, a most picturesque structure, with a wooden upper storey and spire, was wantonly destroyed in 1777 because the bells were misused! That at Chichester alone remains, a fine Perpendicular erection, at the north-west angle of the cathedral (Plate 24). At King’s College, Cambridge, a noble peal of five bells hung in a low wooden belfry on the north side of the chapel, which was destroyed when the bells were sold and melted down in 1754 (Plate 25).