The upper part of the door of her cell was an iron grating. The surrounding cells were filled with the most illustrious ladies and gentlemen of France. As the hour of death drew near, her courage and animation seemed to increase. Her features glowed with enthusiasm; her thoughts and expressions were refulgent with sublimity, and her whole aspect assumed the impress of one appointed to fill some great and lofty destiny. She remained but a few days in the Conciergerie before she was led to the scaffold. During those few days, by her example and her encouraging words, she spread among the numerous prisoners there an enthusiasm and a spirit of heroism which elevated, above the fear of the scaffold, even the most timid and depressed. This glow of feeling and exhilaration gave a new impress of sweetness and fascination to her beauty. The length of her captivity, the calmness with which she contemplated the certain approach of death, gave to her voice that depth of tone and slight tremulousness of utterance which sent her eloquent words home with thrilling power to every heart. Those who were walking in the corridor, or who were the occupants of adjoining cells, often called for her to speak to them words of encouragement and consolation.
Standing upon a stool at the door of her own cell, she grasped with her hands the iron grating which separated her from her audience. This was her tribune. The melodious accents of her voice floated along the labyrinthine avenues of those dismal dungeons, penetrating cell after cell, and arousing energy in hearts which had been abandoned to despair. It was, indeed, a strange scene which was thus witnessed in these sepulchral caverns. The silence, as of the grave, reigned there, while the clear and musical tones of Madame Roland, as of an angel of consolation, vibrated through the rusty bars, and along the dark, damp cloisters. One who was at that time an inmate of the prison, and survived those dreadful scenes, has described, in glowing terms, the almost miraculous effects of her soul-moving eloquence. She was already past the prime of life, but she was still fascinating. Combined with the most wonderful power of expression, she possessed a voice so exquisitely musical, that, long after her lips were silenced in death, its tones vibrated in lingering strains in the souls of those by whom they had ever been heard. The prisoners listened with the most profound attention to her glowing words, and regarded her almost as a celestial spirit, who had come to animate them to heroic deeds. She often spoke of the Girondists who had already perished upon the guillotine. With perfect fearlessness she avowed her friendship for them, and ever spoke of them as _our friends_. She, however, was careful never to utter a word which would bring tears into the eye. She wished to avoid herself all the weakness of tender emotions, and to lure the thoughts of her companions away from every contemplation which could enervate their energies.