"I shall always remember the day when I received the first manuscript of the Little Herder series. The only instructions and suggestions I received before I began were; 'Here are the manuscripts, let's see what you can do with them.'

"So not knowing the first thing about the fundamentals and principles of illustration the work really launched several months of extensive experimentation, the result of which was the black and white technique finally achieved. The use of simple black and white technique was employed because it is more readily understandable for a child.

The Little Navajo Herder — Part 23

"The nature of the stories, being concerned with Navaho life, called for illustration genuine in every sense of the word. I had to observe and incorporate in pictures those characteristics which serve to distinguish the Navaho from other tribes. Further, the setting of the pictures had to change to express local changes as the family moved from place to place. The domestic animals raised by the Navaho had to be shown in a proper setting just as one sees them on the reservation. The sheep could not be shown grazing in a pasture, nor the horses in a stable, because such things are not Navaho.

The Little Navajo Herder — Part 23

"In other words the ideas were represented in an earnest attempt to express as far as possible the author's feelings, but without hindering the illustrator's freedom."

The Little Navajo Herder — Part 23

1. Silently corrected simple spelling, grammar, and typographical errors. 2. Retained anachronistic and non-standard spellings as printed.

End of the Project Gutenberg EBook of The Little Navajo Herder, by Ann Clark