"I wonder how that boy knew I was an Easterner?" the Bostonian reflected as we turned away. Then gently touching the golden petals, he asked: "Where did you get the odd name 'eschscholtzia' for this lovely flower?"
"It was given by the French-born poet-naturalist, Chamisso, in honor of the German botanist, Dr. Eschscholz, who came together to San Francisco on a Russian ship in 1816. However, I like better the Spanish names, dormidera--the sleepy flower--or copa de oro--cup of gold," I added as I pinned the flowers to my coat. The man's glance wandered around Newspaper Corners, when suddenly his look of surprise told me that he had discovered on this crowded section of commercial San Francisco a duplicate of the old bell hung in front of the Mission San Francisco de Asís.
"We are following El Camino Real from the Mission to the Presidio," I reminded him.
We turned toward the shopping district, but the lure of the place made our feet lag. We watched the people purchasing flowers at the corner, and the little newsboys drinking from Lotta's fountain.
"A tablet," he exclaimed delightedly, examining the bronze plate fastened to the fountain. "I didn't know you Westerners ever indulged in such things. 'Presented to San Francisco by Lotta, 1875,'" he read.
"Little Lotta Crabtree," I explained, "the sweet singer who bewitched the city at a time when gold was still more plentiful than flowers, and her song was greeted by a shower of the glittering metal flung to her feet by enthusiastic miners. But read the second tablet," I suggested. "It was placed there with the permission of Lotta."
"Tetrazzini!" his voice rang with surprise.
"Can you picture this place surging with people as it was on Christmas night five years ago, when Tetrazzini sang to San Francisco?" I asked. "The crowd began to gather long before the appointed time--the wealthy banker from his spacious home on Pacific Heights, the grimy laborer from the Potrero and the little newsboy with the badge of his profession slung over his shoulder. Flushed with excitement, the courted debutante drew back to give her place to a tired factory girl and close to the platform an old Italian, who had tramped all the way from Telegraph Hill, patiently waited to hear the sweet voice of his country woman. 'Tetrazzini is here,' they said to one another; Tetrazzini, who had been discovered and adored by the people of San Francisco when, as an unknown singer, she appeared in the old Tivoli opera house. At last she came, wrapped in a rose-colored opera coat, and was greeted with shouts of joy from a quarter of a million throats. She was radiant; smiling and dimpling she waved her handkerchief with the abandonment of a child. The storm of applause increased, rolling up the street to the very summit of Twin Peaks. Suddenly the soft liquid notes of a clear soprano fell upon the air, and instantly the great multitude was wrapped in silence. Out over the heads of the people the exquisite tones floated, mounting upward to the stars. It was the 'Last Rose of Summer,' and as she sang her opera coat slipped from her, leaving her bare shoulders and white filmy gown silhouetted against the sombre background. She sang again and again, while the vast throng seemed scarcely to breathe. Then she began the familiar strains of 'Old Lang Syne,' and at a sign, two hundred and fifty thousand people joined in the refrain."