Having always felt a warm and sincere, though not a blind admiration for her talents, we rejoiced to learn that her Diary was about to be made public. Our hopes, it is true, were not unmixed with fears. We could not forget the fate of the Memoirs of Dr. Burney, which were published ten years ago. That unfortunate book contained much that was curious and interesting. Yet it was received with a cry of disgust, and was speedily consigned to oblivion. The truth is, that it deserved its doom. It was written in Madame D'Arblay's later style, the worst style that has ever been known among men. No genius, no information, could save from proscription a book so written. We, therefore, opened the Diary with no small anxiety, trembling lest we should light upon some of that peculiar rhetoric which deforms almost every page of the Memoirs, and which it is impossible to read without a sensation made up of mirth, shame, and loathing. We soon, however, discovered to our great delight that this Diary was kept before Madame D'Arblay became eloquent. It is, for the most part, written in her earliest and best manner, in true woman's English, clear, natural, and lively. The two works are lying side by side before us; and we never turn from the Memoirs to the Diary without a sense of relief. The difference is as great as the difference between the atmosphere of a perfumer's shop, fetid with lavender water and jasmine soap, and the air of a heath on a fine morning in May. Both works ought to be consulted by every person who wishes to be well acquainted with the history of our literature and our manners. But to read the Diary is a pleasure; to read the Memoirs will always be a task.
We may, perhaps, afford some harmless amusement to our readers if we attempt, with the help of these two books, to give them an account of the most important years of Madame D'Arblay's life.
She was descended from a family which bore the name of Macburney, and which, though probably of Irish origin, had been long settled in Shropshire, and was possessed of considerable estates in that county. Unhappily, many years before her birth, the Macburneys began, as if of set purpose and in a spirit of determined rivalry, to expose and ruin themselves. The heir apparent, Mr. James Macburney, offended his father by making a runaway match with an actress from Goodman's Fields. The old gentleman could devise no more judicious mode of wreaking vengeance on his undutiful boy than by marrying the cook. The cook gave birth to a son named Joseph, who succeeded to all the lands of the family, while James was cut off with a shilling. The favorite son, however, was so extravagant that he soon became as poor as his disinherited brother. Both were forced to earn their bread by their labor. Joseph turned dancing master, and settled in Norfolk. James struck off the Mac from the beginning of his name, and set up as a portrait painter at Chester. Here he had a son named Charles, well known as the author of the History of Music, and as the father of two remarkable children, of a son distinguished by learning, and of a daughter still more honorably distinguished by genius.