[Illustration: GALATA AND STAMBOUL FROM EYOUB

From the cemetery at Eyoub, overhanging the Golden Horn at the upper end, an attractive panorama is presented. On the right are the domes and minarets of Stamboul stretching away to Seraglio Point; in the distance is Mount Olympus on the Asiatic coast, while on the right are Galata, Pera, and the Arsenal.]

Constantinople painted by Warwick Goble — Part 42

The transportation of a fleet over the hill that rises some two hundred and fifty feet between the Bosporus and the Golden Horn was a skilful piece of strategy, and formed one of the most striking incidents in the siege of 1453. By compelling attention to the safety of the walls along the harbour, it extended the line of attack, and weakened the defence of the landward walls. To effect the passage, a road was made through the ravines leading from Beshiktash on the straits to Cassim Pasha on the Golden Horn. On that road well-greased logs were laid, like the sleepers on a railway, and then some seventy or eighty galleys, of fifteen, twenty, or twenty-two pairs of oars, were placed in ships’ cradles and dragged by men, oxen, and buffaloes, in the course of a single night, up one slope and down the other, from sea to sea. The incongruous form of navigation put everybody concerned in making the voyage into good humour. Drums beat, fifes sounded, and to add to the zest of the enterprise, the sails were unfurled, the oars were pulled, the rudders set, as if the vessels were proceeding over their native element. But the apparition of the enemy’s ships in the Golden Horn afforded no amusement to the besieged. It increased immensely their anxiety and the difficulties of their task. A brave attempt to burn the Turkish vessels failed, and though the flotilla actually did little in the way of direct attack, it remained a standing menace to the northern side of the city until the close of the siege, a thunder-cloud keeping men in constant dread of the bolts that might dart from its black bosom. Very appropriately, the Turkish Admiralty stands on the shore of the bay in which an Ottoman fleet first rode the waters of the Golden Horn.

Constantinople painted by Warwick Goble — Part 42

When all traffic ceases, caïques, lighters, steamboats, and craft of all kinds are taken to their moorings and the waters are silent and deserted.]

Constantinople painted by Warwick Goble — Part 42