The school did not disabuse her of this pleasing optimism. It was a very expensive school and could afford to have optimisms of its own. For one thing, it had no pupils poor enough to apply the acid test.

When Mary Virginia was seventeen, Mrs. Eustis perceived with dismay that her child who had promised beauty was instead become angular, awkward, and self-conscious; and promptly packed the unworldly one off to spend a saving summer with a strenuously fashionable cousin, a widow, of whom she herself was very fond. She liked the idea of placing the gauche girl under so vigorous and seasoned a wing as Estelle Baker's. As for Mrs. Baker herself, that gay and good-humored lady laughed at the leggy and serious youngster and promptly took her education in hand along lines not laid down in Church Schools.

Slippy McGee, Sometimes Known as the Butterfly Man — Part 189

Mrs. Baker was delighted with her own position--the reasonably young, handsome, and wealthy widow of a man she had been satisfied to marry and later to bury. She had an unimpaired digestion and no illusions, a kind heart, and the power of laughter. Naturally, she found life interesting. A club-woman, an ultra-modernist, vitally alive, she was fully abreast of her day. Her small library skimmed the cream of the insurgents and revolutionaries of genius; and here the shy and reticent schoolgirl with the mark of the churchly checkrein fresh upon her, was free to browse, for her cousin had no slightest notion of playing censor. Mrs. Baker thought that the sooner one was allowed to slough off the gaucheries of the Young Person, the better. She did not gauge the real and tumultuous depths of feeling concealed under the young girl's simplicity.

Slippy McGee, Sometimes Known as the Butterfly Man — Part 189

The revolutionaries and the insurgent and free poets didn't trouble Mary Virginia very much. Although she sensed that something was wrong with somebody somewhere--hence these lyrical lamentations--she could not, to save her, tell what all the pother was about, for as yet she saw the world _couleur de rose_. Some one or two of the French and Germans pleased her; she fell into long reveries over the Gael, who has the sound of the sea in his voice and whose eyes are full of a haunting light, as of sunsets upon graves. But it was the Russians who electrified and dazzled her. When she glimpsed with her eyes of a young girl those strange souls simple as children's and yet mosaiced with unimaginable and barbarous splendors, she stood blinking and half blinded, awed, fascinated, and avid to know more of that sky-scaling passion with which they burned.

Slippy McGee, Sometimes Known as the Butterfly Man — Part 189