"During the winter, Mr. Longworth, and two other English travelers, visited me at Nimroud. As they were the only Europeans, (except Mr. Ross) who saw the palace when uncovered, it may be interesting to the reader to learn the impression which the ruins were calculated to make upon those who beheld them for the first time, and to whom the scene was consequently new. Mr. Longworth, in a letter, thus graphically describes his visit:--

"'I took the opportunity, whilst at Mosul, of visiting the excavations of Nimroud. But before I attempt to give a short account of them, I may as well say a few words as to the general impression which these wonderful remains made upon me, on my first visit to them. I should begin by stating, that they are all under ground. To get at them, Mr. Layard has excavated the earth to the depth of twelve to fifteen feet, where he has come to a building composed of slabs of marble. In this place, which forms the northwest angle of the mound, he has fallen upon the interior of a large palace, consisting of a labyrinth of halls, chambers, and galleries, the walls of which are covered with bas-reliefs and inscriptions in the cuneiform character, all in excellent preservation. The upper part of the walls, which was of brick, painted with flowers, &c, in the brightest colors, and the roofs, which were of wood, have fallen; but fragments of them are strewed about in every direction. The time of day when I first descended into these chambers happened to be towards evening; the shades of which, no doubt, added to the awe and mystery of the surrounding objects. It was of course with no little excitement that I suddenly found myself in the magnificent abode of the old Assyrian Kings; where, moreover, it needed not the slightest effort of imagination to conjure up visions of their long departed power and greatness. The walls themselves were covered with phantoms of the past; in the words of Byron,'Three thousand years their cloudy wings expand,' unfolding to view a vivid representation of those who conquered and possessed so large a portion of the earth we now inhabit. There they were, in the Oriental pomp of richly embroidered robes, and quaintly-artificial coiffure. There also were portrayed their deeds in peace and war, their audiences, battles, sieges, lion-hunts, &c. My mind was overpowered by the contemplation of so many strange objects; and some of them, the portly forms of kings and vizirs, were so life-like, and carved in such fine relief, that they might almost be imagined to be stepping from the walls to question the rash intruder on their privacy. Then mingled with them were other monstrous shapes--the old Assyrian deities, with human bodies, long drooping wings, and the heads and beaks of eagles; or, still faithfully guarding the portals of the deserted halls, the colossal forms of winged lions and bulls, with gigantic human faces. All these figures, the idols of a religion long since dead and buried like themselves, seemed in the twilight to be actually raising their desecrated heads from the sleep of centuries; certainly the feeling of awe which they inspired me with, must have been something akin to that experienced by their heathen votaries of old.'--_Layard's Nineveh and its Remains_, vol. I. p. 298.

Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art, (Vol. 2 of 3) — Part 18