--Would the public that you are discussing buy well made books as willingly as trashy books?

--Oh, absolutely. It's the books they are interested in--what they contain, not how they are made. They wouldn't know the difference.

Books and Printing; a Treasury for Typophiles — Part 113

A: What's the use of talking about standards in connection with things like these? These are not books. They aren't fit to wad a gun with. I wouldn't have them in the house. Nobody pays any attention to stuff like that.

Books and Printing; a Treasury for Typophiles — Part 113

There isn't what you would call a book on the table, except this one, perhaps. That's printed in England and sent over in sheets and bound on this side. But that one is set in a bastard Caslon. It isn't the original Caslon but a revision with the descenders cut off. See how he's got his O upside down!

Books and Printing; a Treasury for Typophiles — Part 113

Those others--what's the use of talking about them at all? It reminds me of the story about the Chinaman--

--But, Mr. ----, do you not think it possible to get up this class of books in a manner that would suit you better?

--You can't hope to get anything like a decent book until you do away with the damnable cheap paper and the vile types. And then you will have to start in and teach the printer how to print. There aren't more than a half a dozen presses in the country that know how to print. Most printing looks like it had been done with apple-butter on a hay-press--

--What you say is unhappily true. What we are trying to find out are the causes of this state of things.

--The causes are everywhere--all through the rattletrap, cheap-jack, shoddy work that is being done in every kind of trade. Nobody cares for making decent things any more.

The only cure is to get back to decent standards of workmanship in everything again. But the case seems to me to be hopeless. I try to do printing up to a decent standard--and that is about all any of us can do. I don't believe you can hope to do much good through your societies and investigations. I believe in each one doing his own job in the best way he knows how. That's the only way you can raise the standard. It's the work you turn out that counts.

AN ABSTRACT OF THE COMMITTEE'S RECOMMENDATIONS

Two main questions resulting from the Inquiry present themselves to the Committee. The first question is: Is it within the power of the Society of Calligraphers, of any society, or of Society itself, to restore to the printing of books a standard of good work? The second and major question: Are books necessary to the present social state?