The Gathering is a Dutch rock band formed in Oss, North Brabant in 1989. The band's lineup currently consists of founding brothers René Rutten (guitars) and Hans Rutten (drums), Silje Wergeland (lead vocals), Hugo Prinsen Geerligs (bass) and Frank Boeijen (keyboards).
The band's earliest releases were categorized as atmospheric doom metal with influences from extreme metal acts like Celtic Frost and Hellhammer, undergoing numerous vocalist changes before breaking out in 1995 with Mandylion. It was the Gathering's first album to feature lead singer Anneke van Giersbergen and the band's first to chart in the Netherlands. With van Giersbergen, the band's sound shifted from gothic metal to one influenced by shoegaze, post-rock and trip hop, starting with their fifth studio album How to Measure a Planet? in 1998.
In 2007, van Giersbergen left the group to focus on her new band Agua de Annique. The band replaced her with Wergeland, of the band Octavia Sperati. The band went on hiatus from 2014 to 2018, and their most recent album, Beautiful Distortion, was released on 29 April 2022.
History
Early years (1989–1994) Founded by brothers Hans and René Rutten and vocalist Bart Smits, The Gathering formed in the city of Oss in 1989. Soon after they were joined by Hugo Prinsen Geerligs, Jelmer Wiersma and Frank Boeijen to complete their first line-up. The Gathering's earliest recordings were categorized as atmospheric doom metal with influences from death metal acts like Celtic Frost and Hellhammer.
In 1990 they recorded a demo tape entitled An Imaginary Symphony which met some positive reactions from the underground metal scene due to their unusual use of keyboards in metal-oriented music. A second demo, "Moonlight Archer" was recorded in April 1991, was picked up by several music journalists. Both demos suffered from poor production; however they did help establish the band's name on the live circuit opening for bands such as Dead Head, Invocator, Samael, Morbid Angel and Death.
After signing with Foundation 2000, the group released their debut album Always... in 1992. On this album, Bart Smits was accompanied by Marike Groot on vocals, who also joined the Gathering on stage for most of the gigs. The album sold nearly 20,000 units over the next few years in Europe. In 1992 both Smits and Groot left the group due to musical differences; the other members wanted to change direction towards a lighter, more progressive sound. Smits went on to form his own project, Wish, to explore a darker, heavier sound.
In 1993 the group recruited two new vocalists, Niels Duffhues and female counterpart Martine van Loon. A second album, Almost a Dance, was recorded and released in 1993 by Foundation 2000. The album was met with much criticism aimed at Duffhues' punk-ish tone being decidedly out of step with the music, and the album was largely written off as a result. The group collectively acknowledged their disappointments with the album and started writing new material and looked for a new vocalist.
Century Media years (1995–2001) In 1995, The Gathering released Mandylion, their third album and first to feature lead vocalist Anneke van Giersbergen, through Century Media; proving to be their breakthrough and selling over 130,000 copies in Europe. Two singles were released from Mandylion, "Adrenaline/Leaves" and "Strange Machines", the latter which reached number 37 on the Dutch singles charts and helped raise the group's popularity in Europe and the United States. Tours of Belgium and Germany, as well as appearances at the Dynamo Open Air and Pinkpop Festivals further established the bands presence in the European metal scene. 1997's Nighttime Birds was stylistically and musically a companion piece to Mandylion sold over 90,000 copies and saw the group tour throughout Europe.
In 1998 the group acknowledged their growing influences and their need to experiment with a double album, How to Measure a Planet?. Produced by Attie Bauw, the album is a radical departure from the group's established sound. Upon release, the album received excellent reviews from critics who appreciated the band's absorption of new styles such as shoegaze and trip hop into its sound. Positive reactions came from all over the world, including the United States, where they played 14 shows during the summer of 1999.