“If that is how your Court and your Government think, I am sorry for you,” broke in Montriveau. “The Restoration, madam, ought to say, like Catherine de Medici, when she heard that the battle of Dreux was lost, ‘Very well; now we will go to the meeting-house.’ Now 1815 was your battle of Dreux. Like the royal power of those days, you won in fact, while you lost in right. Political Protestantism has gained an ascendancy over people’s minds. If you have no mind to issue your Edict of Nantes; or if, when it is issued, you publish a Revocation; if you should one day be accused and convicted of repudiating the Charter, which is simply a pledge given to maintain the interests established under the Republic, then the Revolution will rise again, terrible in her strength, and strike but a single blow. It will not be the Revolution that will go into exile; she is the very soil of France. Men die, but people’s interests do not die. ... Eh, great Heavens! what are France and the crown and rightful sovereigns, and the whole world besides, to us? Idle words compared with my happiness. Let them reign or be hurled from the throne, little do I care. Where am I now?”

“In the Duchesse de Langeais’ boudoir, my friend.”

The Thirteen — Part 157

“No, no. No more of the Duchess, no more of Langeais; I am with my dear Antoinette.”

The Thirteen — Part 157

“Will you do me the pleasure to stay where you are,” she said, laughing and pushing him back, gently however.

The Thirteen — Part 157

“So you have never loved me,” he retorted, and anger flashed in lightning from his eyes.

“No, dear”; but the “No” was equivalent to “Yes.”

“I am a great ass,” he said, kissing her hands. The terrible queen was a woman once more.--“Antoinette,” he went on, laying his head on her feet, “you are too chastely tender to speak of our happiness to anyone in this world.”

“Oh!” she cried, rising to her feet with a swift, graceful spring, “you are a great simpleton.” And without another word she fled into the drawing-room.

“What is it now?” wondered the General, little knowing that the touch of his burning forehead had sent a swift electric thrill through her from foot to head.

In hot wrath he followed her to the drawing-room, only to hear divinely sweet chords. The Duchess was at the piano. If the man of science or the poet can at once enjoy and comprehend, bringing his intelligence to bear upon his enjoyment without loss of delight, he is conscious that the alphabet and phraseology of music are but cunning instruments for the composer, like the wood and copper wire under the hands of the executant. For the poet and the man of science there is a music existing apart, underlying the double expression of this language of the spirit and senses. _Andiamo mio ben_ can draw tears of joy or pitying laughter at the will of the singer; and not unfrequently one here and there in the world, some girl unable to live and bear the heavy burden of an unguessed pain, some man whose soul vibrates with the throb of passion, may take up a musical theme, and lo! heaven is opened for them, or they find a language for themselves in some sublime melody, some song lost to the world.