"A naughty world," said he, with pathos--"a very naughty world, which really does not deserve the honour of including you in its census reports. Yet I dare say it has the effrontery to put you down in the tax-lists; it even puts me down--me, an humble worker in the vineyard, with both hands set to the plough. And if I don't pay up it sells me out. A very naughty world, indeed! I dare say," Mr. Jukesbury observed, raising his eyes--not toward heaven, but toward the Eagle, "that its conduct, as the poet says, creates considerable distress among the angels. I don't know. I am not acquainted with many angels. My wife was an angel, but she is now a lifeless form. She has been for five years. I erected a tomb to her at considerable personal expense, but I don't begrudge it--no, I don't begrudge it, Miss Hugonin. She was very hard to live with. But she was an angel, and angels are rare. Miss Hugonin," said Petheridge Jukesbury, with emphasis, "_you_ are an angel."

"Oh, dear, _dear!_" said Margaret, to herself; "I do wish I'd gone to bed directly after dinner!"

The Eagle's Shadow — Part 37

"Surely," he breathed, "you must know what I have so long wanted to tell you--"

The Eagle's Shadow — Part 37

"No," said Margaret, "and I don't want to know, please. You make me awfully tired, and I don't care for you in the _least_. Now, you let go my hand--let go at once!"

The Eagle's Shadow — Part 37

He detained her. "You are an angel," he insisted--"an angel with a large property. I love you, Margaret! Be mine!--be my blushing bride, I entreat you! Your property is far too large for an angel to look after. You need a man of affairs. I am a man of affairs. I am forty-five, and have no bad habits. My press-notices are, as a rule, favourable, my eloquence is accounted considerable, and my dearest aspiration is that you will comfort my declining years. I might add that I adore you, but I think I mentioned that before. Margaret, will you be my blushing bride?"

"No!" said Miss Hugonin emphatically. "No, you tipsy old beast--no!"

There was a rustle of skirts. The door slammed, and the philanthropist was left alone on the terrace.

In the living-hall Margaret came upon Hugh Van Orden, who was searching in one of the alcoves for a piece of music that Adèle Haggage wanted and had misplaced.