He next saw the City when he rode through it on his way to be crowned at Westminster. All the way there was nothing but rich tapestry, carpets, scarlet, cloth, masquers clad in velvet, pageants with cloth of gold, and the streets filled with men and women dressed in rich furs and silks, such as only great barons could afford. This third impression confirmed the first.
His next impression was that of the City lying prostrate at the mercy of a large mob, unable to move or to help itself. He went into the City almost alone; he, by one single act of splendid courage, put an end to the insurrection. A City cowardly, therefore, and unable to act together. It was his City, moreover--the _Camera Regis_. Should not a prince do what he pleases with his own?
When we read of his subsequent treatment of the City: how he believed its treasures to be inexhaustible; how he believed that it had no power to resist; how he made the way easy for his cousin to supplant him, let us bear in mind the lessons which the Londoners themselves provided for him in his youth.
This King seizes on the imagination of all who think about him. His is one of the strangest of all the strange figures which crowd the National Portrait Gallery. Richly endowed with artistic instincts; a lover of music and all the fine arts; of singularly winning manners; the comeliest man in his whole kingdom; splendid in raiment, magnificent in his court, colossal in his personal pride, prodigal and extravagant beyond compare; the King whom those who knew him in his youth never ceased to love; for whose soul--not for the soul of Henry IV.--Whittington, for instance, left money for masses--this is a figure among our English kings which has no parallel.
One more reminiscence of Kennington Palace. The last occasion on which Richard lodged there was when he brought home his little bride Isabel, the queen of eight years. They brought her from Dover, resting on the way at Canterbury and Rochester. At Blackheath they were met by the Mayor and Aldermen, attired with great magnificence of costume to do honour to the bride. After reverences due, they fell into their place and rode on with the procession. When they arrived at Newington, the King thanked the Mayor and permitted him to leave the procession and return home. He himself, with his company, rode by the cross-country lane from Newington to Kennington Palace. I observe that this proves the existence of a path or lane where is now Upper Kennington Lane. At this palace the little queen rested a night, and next day was carried in another procession to the Tower. The knights rode before, and the French ladies came after. It is pretty to read how Isabel, with her long fair hair falling over her shoulders, and her sweet childish face, sat up and smiled upon the people, playing and pretending to be queen, which she had been practising ever since her betrothal. Needless to say that all hearts were ravished. The good people of London were ever ready to welcome one princess after another, and to lose their hearts to them, whether it was Isabel of France, or Katharine her sister, or Anne Boleyn, or Queen Charlotte, or the fair Princess of Denmark. So great a press was there that many were actually squeezed to death on London Bridge, where the houses only left twelve feet in breadth. Isabel's queenship proved a pretence: before she was old enough to be queen, indeed, her husband was in confinement; before she understood that he was a captive, he was murdered, and the splendid extravagant reign was over. The son of the usurper, young Harry of Monmouth himself, desired to take the place of Richard; his father also desired the match, for the sake of the dowry. Isabel, child as she was still, had the heart of a woman; she had learned to love her handsome, courteous, accomplished lord, who died before he could claim her; she refused absolutely to marry the son of his murderer. They tried to move her resolution by persuasion; they did not dare to force her: let us believe that Harry of Monmouth would not stoop to force the girl to marry him. There was nothing therefore left to do, but to send her home to what was certainly the most miserable court or palace in the world--that of her mad father. In the end, she married her cousin, the poet Charles of Orleans. You may read the verses which he made upon her death. Isabel died in childbirth in her twenty-second year. As for Harry of Monmouth, as all the world knows, he was obliged to content himself with Isabel's younger sister, Katharine; we have just read about that queen, and how she stooped to a suitor below her own degree. I think she was made of clay not so fine as that of Isabel, her sister.