Thus ended the history of more than a thousand years. Then Asia dealt its worst blow upon Europe. Then the last vestige of the State, ruled first by Rome from the seven hills beside the Tiber, and afterwards by New Rome enthroned on the seven hills beside the Bosporus, disappeared. Then the Crescent gained its greatest triumph over the Cross. Not many spots in the world have been the scene of such momentous events as took place in the little valley of the Lycus on the 29th of May, 1453. There an Empire died, and a long and great epoch closed.

[Illustration: CONSTANTINOPLE AND GOLDEN HORN FROM THE CEMETERY AT EYOUB

Constantinople painted by Warwick Goble — Part 48

Many a charming vista may be seen through the cypress trees in the cemetery at Eyoub.]

Constantinople painted by Warwick Goble — Part 48

It is very natural, when thoughtful men tread the road which skirts these ancient fortifications, that the mind should be profoundly impressed by the vanity of earthly might and greatness. On the one hand, the way is strewn with the wreck and ruin of ramparts once deemed impregnable:

Constantinople painted by Warwick Goble — Part 48

O’er each mouldering tower, Dim with the mist of years, grey flits the shade of power.

On the other hand, stretch great silent cemeteries, beneath whose dark cypresses lies the dust of a dead multitude more than can be numbered. As one has expressed the feeling awakened by this spectacle of wreckage and mortality, “It is walking through the valley of the Shadow of Death.” And yet, seeing there must be an end to all things, is it not wiser and more just to dwell rather upon the glory that crowns these bulwarks for their long defence of the civilised life of the world?

For a full account of the Turkish Conquest, see E. Pears’ _The Destruction of the Greek Empire_.

CONSTANTINOPLE was a city of churches. Clavijo, the Spanish envoy, who visited the city in 1403, was assured that it was hallowed by the presence of no less than 3000 sanctuaries, counting large and small. This was obviously an exaggeration, intended to impress the stranger’s mind with a due sense of the city’s grandeur and sacredness. Ducange in his great work, _Constantinopolis Christiana_, gives the names of some 400 churches mentioned by the Byzantine authors whose works he had examined. But a wider acquaintance with Byzantine literature since the time of that great student of the antiquities of Constantinople has discovered the names of many churches not upon his list. It is therefore impossible to reach exact figures here, and we must be content with the vague statement that the number was so large as to form a striking feature of the city’s aspect. This was only what might be expected in a city where the number of churches would be determined not only by the ordinary religious needs of a devout population, but also by the demands of the many monasteries which sought security from violence behind the bulwarks of the capital, notwithstanding the temptations of the world, the flesh, and the devil, encountered there. What does cause surprise, however, is that so few of the numerous churches which once adorned the city, and embodied the piety of its people, have left one stone standing upon another to recall their existence. At most, thirty-five remain, and of these several of them are so dilapidated that they only serve for the identification of an interesting site, or to emphasise the vanity of earthly things.