Route 66 is an American adventure crime drama television series that premiered on CBS on October 7, 1960, and ran until March 20, 1964, for a total of 116 episodes. The series was created by Herbert B. Leonard and Stirling Silliphant, who were also responsible for the ABC drama Naked City, from which Route 66 was an indirect spin-off. Both series employed a format with elements of both traditional drama and anthology drama, but the difference was where the shows were set: Naked City was set in New York City, while Route 66 had its setting change from week to week, with each episode being shot on location.
Route 66 followed two young men traversing the United States in a Chevrolet Corvette convertible, and the events and consequences surrounding their journeys. Martin Milner starred as Tod Stiles, a recent college graduate with no future prospects because of circumstances beyond his control. He was originally joined on his travels by Buz Murdock (played by George Maharis), a friend and former employee of his father's, with the character leaving midway through the third season after contracting echovirus. Near the end of the third season, Tod met a recently discharged Vietnam veteran named Lincoln Case, played by Glenn Corbett, who decided to follow Tod on his travels and stayed with him until the final episode.
Format and characters
Route 66 was a hybrid between episodic television drama, which has continuing characters and situations, and the anthology format, in which each week's show has a completely different cast and story. In this narrative format, dubbed "semianthology" by the trade magazine Variety, the drama usually centers on the guest stars rather than the regular cast. Series creator Stirling Silliphant's concurrently running drama, Naked City (1958–1963), also followed this semianthology format.
Original concept and trial pilot
In the original concept under discussion between Silliphant and producer Leonard, the two series leads were to be ex-army men who had left the service and were looking to re-establish themselves in American life. George Maharis was signed to a contract by Leonard before the Route 66 concept had been fully developed, and was set to be a cast member from the beginning. Actor Robert Morris was set to be the other lead.
Morris was cast beside Maharis in a 1959 episode of Naked City that was written by Silliphant as a backdoor pilot to a potential spin-off series featuring two young travelers who were looking to find themselves. At that point, the Route 66 title was not yet decided upon, and the potential spin-off was tentatively entitled The Searchers. The Naked City episode that served as the Searchers pilot was called "Four Sweet Corners", and in it, Maharis played Johnny Gary, while Morris was Link Ridgeway. Both were ex-servicemen. After spending most of the episode rescuing Johnny's kid sister from a shoplifting ring, the two friends decided they were too restless to stay in New York City, and more of the world existed that they had to see. Johnny and Link ended the episode by leaving Johnny's family's apartment building, setting out for parts unknown.
The half-hour pilot and the chemistry between the leads was judged to be good by the producers, although Leonard could not interest a network or a sponsor in the spin-off show; Morris was replaced with Martin Milner for the reworked version that occurred before the death of Morris in May 1960 at age 25.
The concept was subsequently reworked. The title of the series became Route 66, the leads became Tod and Buz, and neither had ties to the army. Maharis was given the role of Buz, while Martin Milner beat several actors (including Robert Redford) for the role of Tod. Leonard personally financed the shooting of a new hour-long pilot episode ("Black November", written by Silliphant) and CBS picked up the series in 1960.
Character profiles
Tod and Buz (and later, Linc) symbolized restless youth searching for meaning in the early 1960s. The two men take odd jobs along their journey, like toiling in a California vineyard or manning a Maine lobster boat, bringing them in contact with dysfunctional families or troubled individuals in need of help. The lead characters are not always the focus of any given episode, and their backstories are revealed only in occasional references across widely spaced episodes.