The flame of the bull'seye threw ahead a soft circle of misty light--the children followed it silently. Till, silently and suddenly, the light of the bull's-eye behaved as the flame of a candle does when you take it out into the sunlight to light a bonfire, or explode a train of gunpowder, or what not. Because now, with feelings mixed indeed, of wonder, and interest, and awe, but no fear, the children found themselves in a great hall, whose arched roof was held up by two rows of round pillars, and whose every corner was filled with a soft, searching, lovely light, filling every cranny, as water fills the rocky secrecies of hidden sea-caves.
"How beautiful!" Kathleen whispered, breathing hard into the tickled ear of her brother, and Mabel caught the hand of Jimmy and whispered, "I must hold your hand--I must hold on to something silly, or I shan't believe it's real."
For this hall in which the children found themselves was the most beautiful place in the world. I won't describe it, because it does not look the same to any two people, and you wouldn't understand me if I tried to tell you how it looked to any one of these four. But to each it seemed the most perfect thing possible. I will only say that all round it were great arches. Kathleen saw them as Moorish, Mabel as Tudor, Gerald as Norman, and Jimmy as Churchwarden Gothic. (If you don't know what these are, ask your uncle who collects brasses, and he will explain, or perhaps Mr. Millar will draw the different kinds of arches for you.) And through these arches one could see many things--oh! but many things. Through one appeared an olive garden, and in it two lovers who held each other's hands, under an Italian moon; through another a wild sea, and a ship to whom the wild, racing sea was slave. A third showed a king on his throne, his courtiers obsequious about him; and yet a fourth showed a really good hotel, with the respectable Ugly-Wugly sunning himself on the front doorsteps. There was a mother, bending over a wooden cradle. There was an artist gazing entranced on the picture his wet brush seemed to have that moment completed, a general dying on a field where Victory had planted the standard he loved, and these things were not pictures, but the truest truths, alive, and, as anyone could see, immortal.