Slash's Snakepit was an American rock supergroup from Los Angeles, California, formed by Guns N' Roses guitarist Slash in 1994. Though often described as a solo or side project, Slash stated that Snakepit was a band with equal contributions by all members. The first lineup of the band consisted of Slash, two of his Guns N' Roses bandmates—drummer Matt Sorum and guitarist Gilby Clarke—as well as Alice in Chains bassist Mike Inez and former Jellyfish guitarist Eric Dover on lead vocals.
Their debut album, It's Five O'Clock Somewhere, was released in 1995. For the supporting tour, Slash enlisted James LoMenzo and Brian Tichy, of Pride & Glory, in place of Inez and Sorum, who had other commitments. They played shows in the US, Europe, Japan and Australia before Geffen Records pulled their financial support for the tour, with Slash returning to Guns N' Roses and Slash's Snakepit disbanding.
Following his departure from Guns N' Roses in 1996, Slash formed the cover band Slash's Blues Ball. After a tour in 1997, Slash approached Blues Ball bassist Johnny Griparic about forming a new lineup of Slash's Snakepit. The new lineup consisted of Slash, Griparic, singer Rod Jackson, guitarist Ryan Roxie, and drummer Matt Laug (Roxie and Laug were both former members of Alice Cooper's solo band). They recorded and released their second album, entitled Ain't Life Grand, in 2000, which was preceded by a tour supporting AC/DC and followed by their own headlining tour. For the tour, Keri Kelli joined the group in place of Ryan Roxie, who departed following the completion of the album. However, after the final show, Slash disbanded Snakepit due to a lack of commitment from his band members. Shortly after, Slash formed Velvet Revolver in 2002, along with drummer and fellow Guns N' Roses member Matt Sorum.
History
Formation (1993–1994) Following the two and a half year world tour in support of the albums Use Your Illusion I and Use Your Illusion II, Guns N' Roses guitarist Slash returned to Los Angeles. He soon sold his home, the Walnut House, and moved to Mulholland Drive. He built a small home studio, nicknamed The Snakepit, over his garage and began working on demos for songs he had written during the tour. Slash worked on the demos with Guns N' Roses bandmate and drummer Matt Sorum. They were later joined by guitarist Gilby Clarke and Alice in Chains bassist Mike Inez, jamming and recording most nights. Slash played the demos for Guns N' Roses singer Axl Rose who rejected the material, though he would later want to use them for the next Guns N' Roses album. They had recorded twelve songs by 1994, the same year that Guns N' Roses went on hiatus.
Slash decided to record the Snakepit demos with Sorum, Clarke and Inez, later adding former Jellyfish live guitarist Eric Dover as lead vocalist. The decision to record with Dover led to a disagreement between Slash and Sorum, due to Slash not seeking Sorum's approval before hiring Dover.
It's Five O'Clock Somewhere and breakup (1994–1996)
Slash and Dover wrote the lyrics to all twelve songs with Slash using the songwriting to vent his frustrations at Guns N' Roses singer Rose. Clarke contributed the song "Monkey Chow" to the album while "Jizz da Pit" is an instrumental by Slash and Inez. They recorded the album at Conway Recording Studios and The Record Plant with Mike Clink and Slash co-producing and Steven Thompson and Michael Barbiero mixing, all of whom had worked with Guns N' Roses on their debut album Appetite for Destruction. The album featured contributions by Duff McKagan (who co-wrote "Beggars & Hangers-On"), Dizzy Reed on keyboards, Teddy Andreadis on harmonica, and Paulinho da Costa on percussion. Slash's brother, Ash Hudson, designed the album's cover.
The resulting album, titled It's Five O'Clock Somewhere, was released in February 1995 through Geffen Records. The album's title was taken from a phrase Slash overheard at an airport. At the insistence of the record label, the album was released under the name Slash's Snakepit, instead of The Snakepit, despite Slash not wanting his name used. Upon release, the album charted at number 70 on the Billboard 200 and number 15 on the UK Albums Chart. "Beggars & Hangers-On" was released as the first, and only, single from the album; while a music video was also shot for "Good to Be Alive", directed by August Jakobsson.