Balthazar Gerbier was born at Antwerp about 1591, came young into England, and was a retainer of the Duke of Buckingham as early as 1613. Upon the accession of Charles the First, he was employed in Flanders to negociate privately a treaty with Spain. In 1628 he was knighted at Hampton Court; and, as he says himself in one of his books, was promised by the king the office of surveyor-general of the works, after the death of Inigo Jones. In 1637 he was employed in some private transactions of state; and on the 13th of July, 1641, he took the oaths of allegiance and supremacy, having a bill of naturalisation. In 1648 he appears to have projected the above-named academy, the failure of which very soon happened. Sir Balthazar then went to America, where he seems to have been very ill treated by the Dutch, and narrowly escaped with his life. He afterwards returned to England, and designed the triumphal arch for the reception of Charles the Second. He died at Hempsted-marshal, in 1667, whilst engaged in superintending the mansion of Lord Craven, and was buried in the chancel of that church.
In conclusion, it may be as well to mention, that, prior to the establishment of the "Museum Minervæ," a committee had been appointed in the House of Lords, consisting of the Duke of Buckingham and others, for taking into consideration the state of the public schools, and method of education. What progress was made in this inquiry is not known, but in all probability the academies of Sir Francis Kynaston and Sir Balthazar Gerbier owed their origin to the meetings of this committee.
I feel greatly obliged to your correspondent C. B. for the attention he has bestowed on the question of Fletcher's connexion with _Henry VIII._, as it is only through the concurrent judgments of those who think the subject worthy of their full and impartial consideration, that we can hope to arrive at the truth. His remarks (Vol. iii., p. 190.) are the more valuable, as they coincide with a doubt in my own mind, which has, to a great extent, ripened since I last communicated with you on the subject; and, indeed, I have no need to hesitate in saying, that I had more difficulty in coming to a conclusion with regard to the scene (Act III. Sc. 2.) in which the passages occur quoted by C. B., than with any other scene in the whole play. The suggestions, that Shakspeare might have touched scenes of which the mass had been written by Fletcher, is a point which I had not overlooked, and which indeed, to some extent, might be said to follow from the view I took of the relation of Shakspeare and Fletcher as master and scholar. Yet this suggestion is especially valuable regarding this scene, and may account for that which, without it, is not so easily explained.