struck eight, a loud yet distant clock. The strokes, Alix thought, seemed to glide downwards rather than to fall through the fog and tumult of the station, and, counting them as they emerged, they were so slow and heavy that they made her think of tawny drones pushing their way forth from among the thickets of hot thyme in the jardin potager at Montarel. Sitting straightly in her corner of the Victoria waiting-room, the little French girl fixed her mind upon the picture thus evoked so that she should not feel too sharply the alarming meaning of the hour, and seemed again to watch the blunt, sagacious faces of the drones as they paused in sulky deliberation on the tip of a spray before launching themselves into the sunlight. What could be more unlike Montarel than this cold and paltry scene? What more unlike that air, tranced with sunlight and silence, than this dense atmosphere? Yet the heavy, gliding notes brought back the drones so vividly that she found herself again in the high-terraced garden under the sun-baked old château. The magnolia-trees ate into the crumbling walls and opened lemon-scented cups beneath her as she leaned her arms on the hot stone and looked across the visionary plains to the Alps on the horizon, blue, impalpable, less substantial to the sight than the clouds that sailed in grandiose snowy fleets above them. Alix had always felt that it was like taking great breaths to see the plains and like spreading immense wings to see the mountains, and something of invulnerable dignity, of inaccessible remoteness in her demeanour as she sat there might well have been derived from generations who had lived and died in the presence of natural sublimities. Her brows were contemplative, her lips proud. She was evidently a foreigner, a creature nurtured in climes golden yet austere and springing from an aromatic, rocky soil. The pallor of her extreme fatigue could not efface the sunny tones of her skin; her hair was the blacker for its bronzed lights, and if her eyes were blue, it was not the English blue of a water-side forget-me-not, but the dense, impalpable blue of the Alps seen across great distances.

Two women, pausing on their way out to look at her, drew her mind back from Montarel. She knew that she might look younger than her years. Her bobbed hair was cut straight across her forehead and her skirt displayed a childish length of leg. It was no wonder that, seeing her there, alone, they should speak of her with curiosity, perhaps with solicitude; for there was kindness in their eyes. But she did not like pity, and, drawing herself up more straightly, wrapping her arms in the scarf that muffled her shoulders, she fixed her eyes blankly above their heads until they had passed on. They were kind women; but very ugly. Like jugs. All the people that she had seen since landing on this day of grey and purple flesh-tones had made her think of the earthenware jugs that old Marthe used to range along her upper shelves in the little dark shop that stood on the turn of the road leading down from the château to the village. Their eyes were joyless yet untragic. Their clothes expressed no enterprise. She did not think that they could feel ecstasy, ever, or despair. Yet they were the people of Captain Owen, and she could not be really forgotten, for Captain Owen's family were to come for her. It was only some mistake; but more than the strokes of the clock the women's eyes had made her feel how late it was, how young she was, and how hungry.

The Little French Girl/Part 1/Chapter 1