The _Histoire des Races Maudites et les Classes Réprouvés_, by Francisque Michel and Edouard Fournier, publishing at Paris, with illustrations, has advanced to the twentieth number. The whole is to contain a hundred numbers, forming three volumes.

M. Michelet, the well-known professor of history in the College de France, has incurred a vote of censure from his associates on account of his lectures to the students, which, we infer from notices of them, are quite too republican and socialistic to be approved by the directors of affairs.

The International Monthly, Volume 3, No. 2, May, 1851 — Part 49

A new work, by M. Theophile Lavallée, entitled _L'Histoire de Paris et ses Monumens_ from ancient times to 1850, has just been published at Paris, with illustrations by M. Champin. It is warmly commended by the _Débats_.

The International Monthly, Volume 3, No. 2, May, 1851 — Part 49

MULLIE, of the University of France, has published in two large octavos, a Biographical Dictionary of the Military Celebrities of France, from 1789 to 1850.

The International Monthly, Volume 3, No. 2, May, 1851 — Part 49

A second edition of the new _Life of the great Chancellor D'Auguesseau_, by M. BOUILLE, has been published in Paris. The book continues to be praised.

A Romance and Tales, said to have been written by NAPOLEON BONAPARTE, when he was a youth, are announced for publication in the Paris _Siècle_. Though the _Siècle_ is a very respectable journal, and it engages that these compositions are perfectly authentic, and shall be accompanied by proofs of their genuineness, we do not believe a word of the pretence of their authorship. It is a fact, however, not unworthy of note, in a psychological point of view, that the earliest development of Napoleon's ambition and powers, before a fit field of action had been opened to them, was in a literary form. At the age of fifteen, when at the royal school at Paris, he voluntarily prepared a memoir upon the luxury and expense attending education at that place, in which he urged the propriety of the students adopting hardy habits and a simple fare, and themselves to such toils and exposure as they would encounter in war. In 1787, at the age of eighteen, at Valence, he gained, anonymously, a prize proposed to the Academy of Lyons by the Abbé Raynal, on the question, "What are the principles and institutions best adapted to advance mankind in happiness?" In this essay he defined happiness as consisting in the "perfect enjoyment of life according to the laws of our physical and moral organization:" and the forcible views, well adapted to the temper of the times, and the vivid style of writing, attracted much attention. When he was emperor, he was one day conversing with Talleyrand about this essay, and the latter, a few days after, took occasion to present it to him, having procured it from the archives of the academy at Lyons. The emperor took it, and after reading a few pages, threw it into the fire, saying, "One can never observe every thing." Talleyrand had not taken the precaution to transcribe it; but it has been said that Louis Bonaparte had had it copied, and that it is now in print. About the same time he began a history of Corsica, which he dedicated to the Abbé Raynal, by whom he had been noticed and caressed. He corresponded with Paoli in relation to it, and was in treaty with M. Joly, a bookseller of Dole, for its publication. Raynal, who read the manuscript, advised its completion; but some change of purpose prevented its being finished, and it is now lost. During his residence at Auxonne, in 1790, Napoleon wrote and printed a letter to Buttafoco, the Corsican deputy for the nobles in the National Assembly. It is a brilliant and powerful piece of argument and invective, strongly on the revolutionary side. It produced a marked impression, and was adopted and reprinted by the patriotic society at Ajaccio. While at Marseilles, in 1793, Napoleon wrote and published a political dialogue, called "The Supper of Beaucaire"--a judicious, sensible, and able essay, intended to allay the agitation then existing in that city. A copy of it was brought to him in later days, but seeing no advantage in reviving, under the circumstances of a different time, a production written for a temporary and local excitement, he ordered its suppression.