Dan Waldemar Bryk (born September 23, 1970) is a Canadian-born singer-songwriter and recording artist. Originally from Toronto, Bryk is currently based in Durham, North Carolina. A songwriter and keyboard player, Bryk has released five full-length albums and a handful of singles, EPs and tracks on compilations.
Early life and musical beginnings
Dan Bryk grew up in suburban Mississauga, Ontario, where he attended several Public and Catholic schools and Queensway Cathedral School, a Pentecostal evangelical private school. His parents separated and reconciled during his late childhood.
At Age 8, Bryk briefly received piano lessons from Earl Mlotek at the Toronto Royal Conservatory of Music but dropped out due to hyperactivity and unwillingness to practice. Dan explored songwriting and wrote a few primitive songs throughout grade school, while playing flute in his grade school band and singing in school and church choirs.
While attending St. Martin's High School, Bryk joined the school's 8-track recording studio where he helped establish a recording club and recorded his own music under the pseudonymous band name The Cunning Linguists. He released a number of cassette albums under this name, submitting them to Toronto campus radio stations, selling tapes to his schoolmates, and consigning them to Toronto independent record stores with little fanfare. While the "Linguists" were essentially a studio project consisting of Bryk and occasional collaborator Mike Feraco, he gave an edgy solo debut performance (using MIDI sequencing and drum machine programming) at St. Martin's 1988 Battle of The Bands that was notably censored by Mississauga Cable 10 community access television. Bryk graduated from St. Martin's in 1989.
Bryk then attended the University of Guelph in Guelph, Ontario, initially majoring in English literature, but changing to fine art with a focus on photography and extended media practice. While he did not enroll in any music performance courses at Guelph, Bryk hungrily devoured jazz and popular music history classes under Prof. Howard Spring, and spent much of his time honing his craft as a songwriter in the music department's piano booths. A semester spent studying in London, England in 1992, absorbing the bustling Camden music scene only intensified Bryk's focus on becoming a singer-songwriter. Upon returning to Guelph, Bryk dropped to part-time status and began working as a graphic artist at a Mississauga design firm, all the while writing and demoing his compositions and developing his idiosyncratic, self-taught piano playing style.
Canada
Bryk moved from the suburbs to downtown Toronto in 1994 and joined the Queen Street West music scene with the release of his largely self-performed debut CD Dan Bryk, Asshole. The CD received airplay from CBC Radio 2, CFNY's Indie Hour and nationwide college and community radio, and Dan was reviewed or interviewed in a variety of national press including Eye Weekly, National Chart and Exclaim!, most notably making Toronto Star music critic Peter Howell's Picks for '96 feature. Through the intercession of then-manager Ted Burley, Bryk assembled an accomplished band of Toronto scene veterans to gig and record a follow-up: guitarist/producer Kurt Swinghammer, bassist Maury Lafoy (also of The Supers and Sarah Harmer's and Jann Arden's backing bands), Supers/Charlie Major drummer Jeff Macpherson (and briefly, singer-songwriter/drummer Howie Beck). During this period, Bryk was also an occasional participant in Toronto's Serial Diners.
Asked to record a CBC Radio 2 RealTime session in 1997, the resulting tapes helped Bryk sign to NYC's Scratchie Records after a post-gig meeting with label co-owner Adam Schlesinger and Fountains of Wayne bandmate Chris Collingwood. Bryk then travelled to NYC for some additional recording with Schlesinger and his Ivy bandmate Andy Chase and final album mixing with Jim Rondinelli (Sloan, Matthew Sweet, Wilco). Originally intended for release by Scratchie through joint venture partner Mercury Records, Bryk's Scratchie/Mercury debut was delayed, then ultimately abandoned due to corporate restructuring following a merger with Universal Music.