The Royal College of Music is a conservatoire established by royal charter in 1882, located in South Kensington, London, UK. It offers training from the undergraduate to the doctoral level in all aspects of Western Music including performance, composition, conducting, music theory and history, and has trained some of the most important figures in international music life. The RCM also undertakes research, with particular strengths in performance practice and performance science.
With more than 900 students from more than 50 countries, the RCM is a vibrant community of talented and open-minded musicians. RCM professors are musicians with worldwide reputations, accustomed to working with the most talented students of each generation to unlock their artistic potential.
The college is one of the four conservatories of the Associated Board of the Royal Schools of Music and a member of Conservatoires UK. Its buildings are directly opposite the Royal Albert Hall on Prince Consort Road, next to Imperial College and among the museums and cultural centres of Albertopolis.
History
Background
The Royal College of Music was founded in 1883 to replace the short-lived and unsuccessful National Training School of Music (NTSM). The idea for the NTSM was initially proposed by the Prince Consort decades before the school opened. Conservatoires to train young students for a musical career had been set up in major European cities, but in London the long-established Royal Academy of Music had not supplied suitable training for professional musicians: in 1870 it was estimated that fewer than ten per cent of instrumentalists in London orchestras had studied at the academy.
The NTSM opened in 1876, with Arthur Sullivan as its principal. Under Sullivan, a reluctant and ineffectual principal, the NTSM failed to provide a satisfactory alternative to the Royal Academy and, by 1880, a committee of examiners comprising Charles Hallé, Sir Julius Benedict, Sir Michael Costa, Henry Leslie and Otto Goldschmidt reported that the school lacked "executive cohesion". The following year Sullivan resigned and was replaced by John Stainer. The original plan was to merge the Royal Academy of Music and the National Training School of Music into a single, enhanced organisation. The NTSM agreed, but after prolonged negotiations, the Royal Academy refused to enter into the proposed scheme.
In 1881, with George Grove as a leading instigator and with the support of the Prince of Wales, a draft charter was drawn up for a successor body to the NTSM. The Royal College of Music occupied the premises previously home to the NTSM and opened there on 7 May 1883. Grove was appointed its first director. There were 50 scholars elected by competition and 42 fee-paying students.
Early years
Grove, a close friend of Sullivan, loyally maintained that the new college was a natural evolution from the NTSM. In reality, his aims were radically different from Sullivan's. In his determination that the new institution should succeed as a training ground for orchestral players, Grove had two principal allies: the violinist Henry Holmes and the composer and conductor Charles Villiers Stanford. They believed that a capable college orchestra would not only benefit instrumental students, but would give students of composition the essential chance to experience the sound of their music. The college's first intake of scholarship students included 28 who studied an orchestral instrument. The potential strength of the college orchestra, including fee-paying instrumental students, was 33 violins, five violas, six cellos, one double bass, one flute, one oboe and two horns. Grove appointed 12 professors of orchestral instruments, in addition to distinguished teachers in other musical disciplines including Jenny Lind (singing), Hubert Parry (composition), Ernst Pauer (piano), Arabella Goddard (piano) and Walter Parratt (organ).
The old premises proved restrictive and a new building was commissioned in the early 1890s on a new site in Prince Consort Road, South Kensington. The building was designed by Sir Arthur Blomfield in Flemish Mannerist style in red brick dressed with buff-coloured Welden stone. Construction began in 1892 and the building opened in May 1894. The building was largely paid for by two large donations from Samson Fox, a Yorkshire industrialist, whose statue, along with that of the Prince of Wales, stands in the entrance hall.
Grove retired at the end of 1894 and was succeeded as director by Hubert Parry.