"'Who's there?' I said, half-opening the door, through which the wind and rain came rushing. 'And what, in the name of ten thousand devils, do you want?"

"'I want an artist,' said my visitor, in Italian. 'Are you one?'

In the Days of My Youth — Part 77

"'I flatter myself that I am,' replied I, still holding the door tolerably close.

In the Days of My Youth — Part 77

"'Heads, figures, landscapes--anything,' said I, with my teeth chattering like castanets.

In the Days of My Youth — Part 77

"The stranger pushed the door open, walked in without further ceremony, closed it behind him, and said, in a low, distinct voice:--

"'Could you take the portrait of a dead man?'

"'Of a dead man?' I stammered. 'I--I ... Suppose I strike a light?'

"'Not till you have given me an answer,' said he. 'Yes or no? Remember, you will be paid well for your work.'

"'Ay, Signore, will you bring your colors, and come with me this instant--or must I seek some other painter?'

"I thought of the masked-ball, and sighed; but the promise of good payment, and, above all, the peculiarity of the adventure determined me.

"'Nay, if it is to be done,' said I, 'one time is as good as another. Let me strike a light, and I will at once pack up my colors and come with you.'

"'_Bene_!' said the stranger. 'But be as quick as you can, Signore, for time presses.'

"I was quick, you may be sure, and yet not so quick but that I found time to look at my strange visitor. He was a dark, elderly man, dressed in a suit of plain black, and might have been a clerk, or a tradesman, or a confidential servant. As soon as I was ready, he took the lead; conducted me to a carriage which was waiting at the corner of a neighboring street; took his place respectfully on the opposite seat; pulled down both the blinds, and gave the word to drive on. I never knew by what streets we went, or to what part of Rome he took me; but the way seemed long and intricate. At length, we stopped and alighted. The night was pitch-dark, and still stormy. I saw before me only the outline of a large building, indistinct and gloomy, and a small open door dimly lighted-from within. Hurried across the strip of narrow pavement, and shut in immediately, I had no time to identify localities--no choice, except to follow my conductor and blindly pursue the adventure to its close. Having entered by a back door, we went up and down a labyrinth of staircases and passages, for the mere purpose, as it seemed, of bewildering me as much as possible--then paused before an oaken door at the end of the corridor. Here my conductor signified by a gesture that I was to precede him.