And what then if _our_ heavens were to open? Very thin indeed is the curtain between us and the unknown. There is a fear of the night that is begotten of ignorance and superstition, a nightmare fear, the fear of the impossible; and there is another fear of the night--of the starlit night--that comes with knowledge, when we see in its true proportion this little life of ours with all its phantasmal environment of cities and stores and arsenals, and the habits, prejudices, and promises of men. Down there in the gaslit street such things are real and solid enough, the only real things, perhaps; but not up here, not under the midnight sky. Here for a space, standing silently upon the dim, grey tower of the old observatory, we may clear our minds of instincts and illusions, and look out upon the real.
And now to the eastward the stars are no longer innumerable, and the sky grows wan. Then a faint silvery mist appears above the housetops, and at last in the midst of this there comes a brilliantly shining line--the upper edge of the rising moon.
On a sharp, sunlight morning, when the white clouds are drifting swiftly across the luminous blue sky, there is no finer walk about London than the Highgate ridge. One may stay awhile on the Archway looking down upon the innumerable roofs of London stretching southward into the haze, and shining here and there with the reflection of the rising sun, and then wander on along the picturesque road by the college of Saint Aloysius to the new Catholic church, and so through the Waterlow Park to the cemetery. The Waterlow Park is a pleasant place, full of children and aged persons in perambulators during the middle hours of the day, and in the summer evening time a haunt of young lovers; but your early wanderer finds it solitary save for Vertumnus, who, with L.C.C. on the front of him, is putting in crocuses. So we wander down to the little red lodge, whence a sinuous road runs to Hampstead, and presently into the close groves of monuments that whiten the opposite slope.
How tightly these white sepulchres are packed here! How different this congestion of sorrow from the mossy latitude of God's Acre in the country! The dead are crammed together as closely as the living seemed in that bird's-eye view from the Archway. There is no ample shadow of trees, no tangled corners where mother earth may weave flower garlands over her returning children. The monuments positively jostle and elbow each other for frontage upon the footways. And they are so rawly clean and assertive. Most of them are conspicuously new whitened, with freshly-blackened or newly-gilt inscriptions, bare of lichen, moss, or mystery, and altogether so restless that it seems to the meditative man that the struggle for existence, for mere standing room and a show in the world, still rages among the dead. The unstable slope of the hill, with its bristling array of obelisks, crosses and urns, craning one above another, is as directly opposed to the restfulness of the village churchyard with its serene outspreading yews as midday Fleet Street to a Sabbath evening amidst the Sussex hills. This cemetery is, indeed, a veritable tumult of tombs.
