"I do not think that it will answer for one to be a hearer who has no paper of his own. So let me insist on your compliance."
"Well sir, if you insist on it, I must see what I can do. Would you object to my producing a poem already published by me in a New York paper?"
"I am sorry to say that would not be in accordance with our rules. The piece must be composed for our social gathering."
"Well I must then make the attempt. I would weave a short romance out of some story I have heard in my travels. But I am always afraid of the sad being who, searching to the fag-end of memory says, after hearing you, and approving, let me see, I have heard that, or something like it, before! I once learned a lesson and received a nervous shock which easily returns, as I was about to address a meeting, and under a sudden impression asked the most knowing inhabitant of the village, 'Did any of the speakers who have addressed you ever tell such a story?' 'Oh! yes,' said he, with sudden alarm, 'Every one who has been here has told that story.' Yet that was my main stay, argument, illustration, eloquence. I had to do the best I could without it. Since then I am in a trepidation lest I fall into the pit from which I kept my feet at that time."
"Well so much the better. Such caution will insure variety."
"Do not be too sure of that. Excessive care often leads us to the very errors it would avoid."
So our conversation closed. The paper was written and read. I looked some time ago in vain for my piece among the Overlook papers. Strange to say, it was not there. I saw the Judge originally endorse it and tie it up in the collection. Meta told me when I expressed my surprise that the document was missing, that she must confess that when she was younger and more silly, and had her taste less cultivated, she took it one day, after I had left her father's, secretly from the pile. Regarding it as of such small consequence, she had not put it back in its place; and as it was also particularly weak in having a few sentences evidently meant for her to understand as no one else could. She will find it, she says, when she next examines her old papers and letters. And she assures me that it must be safe, because the old house would not trouble itself to destroy it; the Overlook moths would not dare to touch it, and that it is destined to outlive its author, even if he had brass enough in him to make a monument.