To all this stimulating talk there are lively interludes. A guest thinks one of the strangers, in a superior way, is making game of the company, and assails him with a shower of the choicest abuse, in malodorous Latin of the slums, interlarded with proud references to his own rise from the slave ranks.(803) Trimalchio orders the house-dog, Scylax, to be brought in, but the brute falls foul of a pet spaniel, and, in the uproar, a lamp is overthrown, the vases on the table are all smashed, and some of the guests are scalded with the hot oil.(804) In the middle of this lively scene, a lictor announces the approach of Habinnas, a stone-cutter, who is also a great dignitary of the town. He arrives rather elevated from another feast of which he has pleasant recollections. He courteously asks for Fortunata,(805) who happens to be just then looking after the plate and dividing the remains of the feast among the slaves. That lady, after many calls, appears in a cherry coloured tunic with a yellow girdle, wiping her hands with her neckerchief. She has splendid rings on her arms, legs, and fingers, which she pulls off to show them to the stone-cutter’s lady. Trimalchio is proud of their weight, and orders a balance to be brought in to confirm his assertions. It is melancholy to relate that, in the end, the two ladies get hopelessly drunk, and fall to embracing one another in a rather hysterical fashion. Fortunata even attempts to dance.(806) In the growing confusion the slaves take their places at table, and the cook begins to give imitations of a favourite actor,(807) and lays a wager with his master on the chances of the green at the next races. Trimalchio, who by this time was becoming very mellow and sentimental, determines to make his will, and to manumit all his slaves, with a farm to one, a house to another. He even gives his friend the stone-cutter full directions about the monument which is to record so brilliant a career. There is to be ample provision for its due keeping, in the fashion so well known from the inscriptions, with a fair space of prescribed measurements, planted with vines and other fruit trees. Trimalchio wishes to be comfortable in his last home.(808) On the face of the monument ships under full sail are to figure the sources of his wealth.(809) He himself is to be sculptured, seated on a tribunal, clothed with the _praetexta_ of the Augustalis, with five rings on his fingers, ladling money from a bag, as in the great banquet with which he had once regaled the people.(810) On his right hand there is to be the figure of his wife holding a dove and a spaniel on a leash. A boy is to be graved weeping over a broken urn. And, finally, in the centre of the scene, there is to be a horologe, that the passer-by, as he looks for the hour, may have his eyes always drawn to the epitaph which recited the dignities and virtues of the illustrious freedman. It told posterity that “C. Pompeius Trimalchio Maecenatianus was pious, stout, and trusty, that he rose from nothing, left HS.30,000,000, and never heard a philosopher.” The whole company, along with Trimalchio himself, of course wept copiously at the mere thought of the close of so illustrious a career. After renewing their gastric energy in the bath, the company fell to another banquet. Presently a cock crows, and Trimalchio, in a fit of superstition, spills his wine under the table,(811) passes his rings to the right hand, and offers a reward to any one who will bring the ominous bird. The disturber was soon caught and handed over to the cook for execution. Then Trimalchio excites his wife’s natural anger by a piece of amatory grossness, and, in retaliation for her very vigorous abuse, flings a cup at her head. In the scene which follows he gives, with the foulest references to his wife’s early history, a sketch of his own career and the eulogy of the virtues that have made him what he is.(812) Growing more and more sentimental, he at last has himself laid out for dead;(813) the horn-blowers sound his last lament, one of them, the undertaker’s man, with such a good will, that the town watch arrived in breathless haste with water and axes to extinguish a fire. The strangers seized the opportunity to escape from the nauseous scene. Their taste raised them above Trimalchio’s circle, but they were quite on the level of its morals. Encolpius and his companions are soon involved in other adventures, in which it is better not to follow them.
Mountains Digest
Roman Society from Nero to Marcus Aurelius — Part 89
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