I next went to Niagara Falls, where it was my good fortune to encounter two very different specimens of American character in the persons of Mr. Easterly and Mr. Babbitt, the former a visitor and the latter a resident Daguerrean, who held a monopoly from General Porter to Daguerreotype the Falls and visitors. He had a pavilion on the American side of the Falls, under which his camera was in position all day long, and when a group of visitors stood on the shore to survey the Falls from that point, he took the group--without their knowledge--and showed it to the visitors before they left. In almost every instance he sold the picture at a good price; the people were generally delighted to be taken at the Falls. I need hardly say that they were all taken instantaneously, and embraced a good general view, including the American Fall, Goat Island, the Horse Shoe Fall, and the Canadian shore. Many of these views I coloured for Mr. Babbitt, but there was always a beautiful green colour on the brink of the Horse Shoe Fall which I never could match. For many years I possessed one of Mr. Babbitt's Daguerreotype views, as well as others taken by Mr. Easterly and myself, but I had the misfortune to be deprived of them all by fire. Some years after I lent them to an exhibition in Glasgow, which was burnt down, and all the exhibits destroyed. After a delightful sojourn of three weeks at Niagara Falls, I took steamer on the lower Niagara River, sailed down to Lake Ontario, and down the River St. Lawrence, shooting the Lachine Rapids, and on to Montreal.

In the Canadian City I did not find business very lively, so after viewing the fine Cathedral of Notre Dame, the mountain, and other places, I left Montreal and proceeded by rail to Boston. The difference between the two cities was immense. Montreal was dull and sleepy, Boston was all bustle and life, and the people were as unlike as the cities. On my arrival in Boston, I put up at the Quincy Adams Hotel, and spent the first few days in looking about the somewhat quaint and interesting old city, hunting up Franklin Associations, and revolutionary landmarks, Bunker Hill, and other places of interest. Having satisfied my appetite for these things, I began to look about me with an eye to business, and called upon the chief Daguerreans and photographers in Boston. Messrs. Southworth and Hawes possessed the largest Daguerreotype establishment, and did an excellent business. In their "Saloon" I saw the largest and finest revolving stereoscope that was ever exhibited. The pictures were all whole-plate Daguerreotypes, and set vertically on the perpendicular drum on which they revolved. The drum was turned by a handle attached to cog wheels, so that a person sitting before it could see the stereoscopic pictures with the utmost ease. It was an expensive instrument, but it was a splendid advertisement, for it drew crowds to their saloon to see it and to sit, and their enterprise met with its reward.

The Evolution of Photography — Part 34