Whatever change was made in their original position appears to have been effected at the time that the church was so shamefully disfigured by the Protestant lawyers, either in the year 1682, when it was "thoroughly repaired," or in 1695, when "the ornamental screen was set up in it;" inasmuch, as we are informed by a newspaper, called the Flying Post, of the date of the 2nd of January, 1696, that Roger Gillingham, Esq., treasurer of the Middle Temple, who died on the 29th of December, 1695, æt. seventy, had the credit of facing the Temple Church with New Portland stone, and of "_marshalling the Knights Templars in uniform order_."[484] Stow tells us that "the first of the crossed-legged was William Marshall, the elder, earl of Pembroke," but the effigy of that nobleman now stands the second; the additional figure appears to have been placed the first, and seems to have been brought from the western doorway and laid by the side of the others.
During the recent restoration of the church, it was necessary to excavate the earth in every part of the Round, and just beneath the pavement of the external circular aisle or portico environing the tower, was found a broken sarcophagus of Purbeck marble, containing a skull and some bones apparently of very great antiquity; the upper surface of the sarcophagus was on a level with the ancient pavement; it had no mark or inscription upon it, and seemed originally to have been decorated with a monumental effigy.
From two ancient manuscript accounts of the foundation of Walden Abbey, written by the monks of that great religious house, we learn that Geoffrey de Magnaville, earl of Essex, the founder of it, being slain by an arrow, in the year 1144, was taken by the Knights Templars to the Old Temple, that he was afterwards removed to the cemetery of the New Temple, and that his body was buried in the portico before the western door of the church.[485] The sarcophagus lately found in that position is of Purbeck marble; so also is the first figure on the south side of the Round, whilst nearly all the others are of common stone. The tablet whereon it rests had been grooved round the edges and polished; three sides were perfect, but the fourth had decayed away to the extent of six or seven inches. The sides of the marble sarcophagus had also been carefully smoothed and polished. The same thing was not observable amongst the other sarcophagi and figures. It must, moreover, be mentioned, that the first figure on the south side had no coffin of any description under it. We may, therefore, reasonably conclude, that this figure is the monumental effigy of Geoffrey de Magnaville, earl of Essex. It represents an armed knight with his legs crossed,[486] in token that he had assumed the cross, and taken a vow to fight in defence of the christian faith. His body is cased in chain mail, over which is worn a loose flowing garment confined to the waist by a girdle, his right arm is placed on his breast, and his left supports a long shield charged with rays on a diamond ground. On his right side hangs a ponderous sword of immense length, and his head, which rests on a stone cushion, is covered with an elegantly-shaped helmet.