"Three Men and Adena" is the fifth episode of the first season of the American police drama television series Homicide: Life on the Street. It originally aired on NBC in the United States on March 3, 1993. The episode was written by executive producer Tom Fontana and directed by Martin Campbell. In the episode, Pembleton and Bayliss have a 12-hour limit to elicit a confession from Risley Tucker for the murder of 11-year-old Adena Watson. The episode takes place almost entirely within the confines of the police interrogation room with the three actors.

Tucker was played by actor Moses Gunn, in his final acting role before his death in December 1993. "Three Men and Adena" was seen by 7.08 million households in its original broadcast, which was among the lowest-rated network shows on that evening. However, the episode received positive reviews; it is considered one of the classic Homicide episodes, and ranked number 74 in an Entertainment Weekly list of the 100 greatest television moments. Tom Fontana won an Emmy Award for Outstanding Writing for a Drama Series for the episode's script.

Three Men and Adena

Plot summary

Bayliss (Kyle Secor) and Pembleton (Andre Braugher) prepare to interview Risley Tucker (Moses Gunn), an elderly arabber. Bayliss is convinced Tucker murdered 11-year-old Adena Watson, but Pembleton is less confident. Since they have already interviewed Tucker multiple times, the court will not allow him to be bothered anymore if he does not confess after this interview, and the detectives have only twelve hours to elicit a confession before Tucker walks free. Pembleton starts off acting friendly while Bayliss, who has taken the Watson case very personally, is more aggressive. Adena used to work for Tucker, taking care of his horse. Pembleton brings up Tucker's alcoholism, but Tucker said he gave up drinking because he used to black out, insisting he hasn't had a drink in sixteen months. Tucker also insists he hadn't seen Adena for three days before she died, but Bayliss shows him she had soot on her skirt that matched soot from Tucker's barn, indicating she was there the day she was killed.

Three Men and Adena

During a moment of anger, Bayliss nearly presses Tucker's face against a hot pipe on the wall, but Pembleton stops him. Tucker still angrily insists he did not kill her, and he agrees to submit to a polygraph test. When Bayliss leaves, Pembleton speaks to Tucker in a soft and comforting tone, trying to get Tucker to trust him. Pembleton suggests Tucker had a drink and blacked out the night he killed Adena, and he seems close to getting a confession before Tucker once again insists he is innocent. With four hours left before the deadline, Bayliss returns and says Tucker failed the polygraph test. Bayliss and Pembleton then aggressively team up on Tucker, talking quickly and intimidating him with repeated questions. They bring up a previously dropped statutory rape charge against Tucker involving a 14-year-old girl, then suggest he attempted to have sex with Adena and killed her because she resisted. Confronted with gruesome photos of the crime scene, a frightened and confused Tucker admits that he is no longer sure of his own innocence.

Three Men and Adena

With less than an hour left and still without a confession, the detectives are exhausted, and Tucker turns the tables on them. He claims Pembleton has the attitude of a man trying to distance himself from his African American heritage because he is ashamed to be black. Tucker also accuses Bayliss of hiding a "dark side" inside him that he is afraid to embrace. Eventually, Tucker admits he harbored pedophilic feelings for Adena, and feels shame that she was the only great love of his life. He breaks down and cries, but insists he did not kill her. The 12-hour time limit elapses and the detectives fail to get a confession. Tucker is released and Bayliss is miserable he was unable to close the case. Pembleton, who has a new respect for Bayliss, tries to comfort him by saying he is now convinced Tucker is the killer, but Bayliss is no longer so sure.