[Footnote 5: It is often said that it was fortunate that Savonarola's preaching did not continue to influence the Florentines deeply, for if it had it would surely have seriously disturbed art, and as it is, it is often declared that there must have been many beautiful works of art sacrificed in the bonfires built in the streets of Florence under Savonarola's inspiration. In the sketch of Fra Bartolommeo (M. E. James, London, 1902), the answer to this is contained in a single paragraph:
"The artists of Italy had no quarrel with the friar; some of the best of them were his devoted friends, while many entered his Order. Fra Filippo Lappacini in 1492, Fra Agostino di Paulo, Fra Ambrogio and Fra Luca della Robbia, Fra Benedetto (miniature painter), 1495, Fra Eustachio, 1496. Michael Angelo read the friar's sermons constantly; Cronaca, the great architect, 'could talk of nothing else.' Raphael painted him among the doctors of the Church. Baldini, Lorenzo di Credi and Botticelli loved him."]
Fra Bartolommeo's greatest works are probably the "Marriage of St. Catherine," "The Last Judgment," now in the Church of Santa Maria Nuova, Florence, the picture which is said to have attracted the attention of Raphael, and the well-known "Descent from the Cross," or as it is often called, "Lamentation over Christ," "in which the expression of suffering on the faces is charmingly differentiated for the various characters of St. John, the Magdalen and the Blessed Virgin, and so subdued that a heavenly peace illumines the group." It has been declared that Bartolommeo united the spirituality { 58} of Fra Angelico to the perfect treatment in form and color of Raphael, combined with a gentle gravity that was all his own and a devotion that was part of his life. The "Descent from the Cross" is one of his last works and, far from showing any sign of failing power, is masterly and firm. In anatomy and composition and color it is unsurpassed; in delicacy of feeling and religious devotion it is considered one of the great pictures of the world. His portrait of "Savonarola," a work of love on the part of an ardent disciple, is deservedly his best-known work and is one of the great portraits of all time, worthy to be placed beside those of such masters of portraiture as Bellini, Titian, Raphael and even Leonardo.