Oberon first appears in the old French romance of "Huon de Bourdeaux," and is identical with Elberich, the dwarf king of the German story of Otuit in the "Heldenbuch." The name Elberich, or, as it appears in the "Nibelungenlied," Albrich, was changed, in passing into French, first into Auberich, then into Auberon, and finally became our Oberon. He is introduced by Spenser in the "Fairy Queen" (book ii. cant. i. st. 6), where he describes Sir Guyon:

"Well could he tournay, and in lists debate, And knighthood tooke of good Sir Huon's hand, When with King Oberon he came to faery land."

Folk-lore of Shakespeare — Part 3

And in the tenth canto of the same book (stanza 75) he is the allegorical representative of Henry VIII. The wise Elficleos left two sons,

Folk-lore of Shakespeare — Part 3

"of which faire Elferon, The eldest brother, did untimely dy; Whose emptie place the mightie Oberon Doubly supplide, in spousall and dominion."

Folk-lore of Shakespeare — Part 3

"Oboram, King of Fayeries," is one of the characters in Greene's "James the Fourth."[3]

[3] Aldis Wright's "Midsummer-Night's Dream," 1877, Preface, pp. xv., xvi.; Ritson's "Fairy Mythology," 1875, pp. 22, 23.

The name Titania for the queen of the fairies appears to have been the invention of Shakespeare, for, as Mr. Ritson[4] remarks, she is not "so called by any other writer." Why, however, the poet designated her by this title, presents, according to Mr. Keightley,[5] no difficulty. "It was," he says, "the belief of those days that the fairies were the same as the classic nymphs, the attendants of Diana. The fairy queen was therefore the same as Diana, whom Ovid (Met. iii. 173) styles Titania." In Chaucer's "Merchant's Tale" Pluto is the king of faerie, and his queen, Proserpina, "who danced and sang about the well under the laurel in January's garden."[6]

[4] Essay on Fairies in "Fairy Mythology of Shakspeare," p. 23.

[6] Notes to "A Midsummer-Night's Dream," by Aldis Wright, 1877, Preface, p. xvi.

In "Romeo and Juliet" (i. 4) she is known by the more familiar appellation, Queen Mab. "I dream'd a dream to-night," says Romeo, whereupon Mercutio replies, in that well-known famous passage--

"O, then, I see Queen Mab hath been with you,"

this being the earliest instance in which Mab is used to designate the fairy queen. Mr. Thoms[7] thinks that the origin of this name is to be found in the Celtic, and that it contains a distinct allusion to the diminutive form of the elfin sovereign. _Mab_, both in Welsh and in the kindred dialects of Brittany, signifies a child or infant, and hence it is a befitting epithet to one who