[Illustration: Fig. IV.—Details of Fig. III, showing how to work it]

The hem at the bottom should be finished off with a fringe. If colours are used in the work they should appear again in the fringe, but if it is all white a good knotted one of fine white linen thread should be sewn on by its upper edge (see Illustration II.), taking care not to stretch it at all, but rather to ease it on. It should hang quite free, not on the stuff, as it is in the case of frontals, &c.

Church Needlework — Part 71

I may here remark that it is a mistake to suppose that there is any difficulty in washing fringes. If they are not too deep in the ‘fall,’ and are well made of good linen thread, they only need to be well shaken two or three times when wet and while drying, to make them hang perfectly straight and well.

Church Needlework — Part 71

Good thread lace[11] may be used instead of fringe. Lace is also sometimes tacked along the front to hang over the super-frontal, but as it requires to be taken off every time the cloth is washed it is not practicable unless some careful lady is responsible for its welfare, or unless some such lace as Irish crochet be used, which will stand washing.

Church Needlework — Part 71

I believe the coloured embroidery described above used to be tacked on to the ends of the fair linen in this way like apparels, and removed for the more frequent washing of the cloth itself; in some modern churches where there are plenty of persons able and willing to attend to these things they are still used, and quite appropriately; but for a small village or very poor town church it seems more suitable to have good strong linen, simple embroideries (either in one colour or white), and a stout linen fringe to match.

[Illustration: Fig. V.—Design for Cut-linen work]

Cut-linen too may be used either for an open-work border or instead of lace or fringe for the edge. If evenly and firmly worked, either in buttonhole or over-sewing, it will last as long as the linen itself.

In olden times the CORPORAL or corporax-cloth was often made large enough to cover the surface of the altar, to fold over the chalice, or a ‘Pair of Corporals’ were used. It seems to be more general now to have one corporal about twenty-four inches square, and one smaller and thinner—a ‘Chalice-veil,’ used in conjunction with a stiffened square of linen called the pall; which together take the place of the second corporal.