Slings & Arrows is a Canadian television series set at the fictional New Burbage Festival, a Shakespearean festival similar to the real-world Stratford Festival. It stars Paul Gross, Stephen Ouimette and Martha Burns. Rachel McAdams appeared in the first season.
The darkly comic series first aired on Canada's Movie Central and The Movie Network channels in 2003, and received acclaim in the United States when it was shown on the Sundance Channel two years later. Three six-episode seasons were filmed, with the final season airing in Canada in the summer of 2006 and in the United States in early 2007.
Slings & Arrows was created and written by former Kids in the Hall member Mark McKinney, playwright and actress Susan Coyne, and comedian Bob Martin. All three appear in it as well. The entire series was directed by Peter Wellington.
Premise
Slings & Arrows centers around life at a fictional Shakespearean theatre festival in New Burbage, Canada. Each season focuses on The New Burbage Festival’s production of a different play. The themes of the play are often juxtaposed with personal and professional conflicts facing the festival’s cast and crew.
Season 1: Hamlet
The show's central characters are actor/director Geoffrey Tennant (Paul Gross), New Burbage artistic director Oliver Welles (Stephen Ouimette), and actress Ellen Fanshaw (Martha Burns), who seven years previously collaborated on a legendary production of Hamlet. Midway through one of the performances, Geoffrey suffered a nervous breakdown, jumped into Ophelia's grave and then ran screaming from the theater. After that, he was committed to a psychiatric institution.
When the series begins, Geoffrey is in Toronto, running a small company, "Théâtre Sans Argent" (French for "Theatre Without Money"), on the verge of being evicted. Oliver and Ellen have stayed at New Burbage, where Oliver has gradually been commercializing his productions and the festival. On the opening night of the New Burbage's A Midsummer Night's Dream, Oliver sees Geoffrey on the news, chained to his theatre in protest. Heavily drunk, Oliver calls Geoffrey from a payphone and they argue about the past. Oliver then passes out in the street and is run over and killed by a truck bearing the slogan "Canada's Best Hams".
Geoffrey's blistering eulogy at Oliver's funeral about the state of the festival leads to him being asked to take over Oliver's job on a temporary basis. After clashing with an old rival, Darren Nichols (Don McKellar), Geoffrey is reluctantly forced to take over directing the festival's latest production of Hamlet. Making this difficult are Jack Crew (Luke Kirby), the insecure American film star cast as Hamlet; Geoffrey's former lover Ellen, who is playing Gertrude and dating a much younger man; and Oliver, now haunting both Geoffrey and the festival as a ghost. Also in the play is apprentice actress Kate (Rachel McAdams), who finds herself falling for Jack.
On the business side of the festival, New Burbage manager Richard Smith-Jones (Mark McKinney) is seduced by one of his sponsors, American executive Holly Day (Jennifer Irwin) who wants to remake New Burbage into a shallow, commercialized "Shakespeareville".
Season 2: Macbeth
The second season follows the New Burbage production of Macbeth.
Richard is desperate for money to keep the company going. Geoffrey, frustrated over what he sees as a lack of commitment from his actors, suggests downsizing the company. A famous and highly egotistical actor, Henry Breedlove (Geraint Wyn Davies), arrives to star in Macbeth. Geoffrey is reluctant to direct the play due to the difficulty of staging it well, but insists that he doesn't believe in the curse of "The Scottish Play".
Richard secures a government grant to rebrand the festival. To do so, he hires an avant-garde advertising agency, Frog Hammer. Sanjay (Colm Feore), the head of Frog Hammer, launches a series of shock advertisements and manipulates Richard into accepting them.
Elsewhere at the festival, Darren has returned from an artistic rebirth in Germany to direct a version of Romeo and Juliet. His experimental staging requires the actors to not touch or even look at each other. Frustrated by this, the leading actors Sarah and Patrick seek out Geoffrey's help.