During the years of his Weimar residence Bach made three journeys which are conspicuous among the brief ones that punctuated his life. One was to Cassel toward the end of 1714, presumably to examine a new organ. Possibly, too, he accompanied his ducal master on a ceremonial visit. Like Weimar, Cassel had a reputation for culture and evidently the Duke would have been pleased to exhibit the prowess of his own court organist. A reference to Bach’s incredible virtuosity on this visit has come down to us. “His feet, flying over the pedals as though they were winged,” wrote an observer, “made the notes reverberate like thunder in a storm till the prince, confounded with admiration, pulled a ring from his finger and presented it to the player. Now bethink you, if Bach’s skilful feet deserved such bounty what gift must the prince have offered to reward his hands as well?” Other stories of his miraculous playing had long circulated throughout the country. People said it was a habit of his to climb into the organ loft of an inconspicuous rural church and so astound people with his improvisations that the cry would go up: “That must be Bach or the Devil!” The tale, one can depend on it, is a myth.

Another trip was to Halle, birthplace of Handel. True, he did not go there in search of his greatest contemporary (though he made several sincere yet ineffectual attempts to meet him) but to examine a new organ. His playing created so profound an impression that the Collegium Musicum made an earnest effort to secure him for Halle. Bach was flattered but, because of his Weimar connections, unable to accept. The Halle council, believing he was seeking higher pay, was irritated. Nevertheless, a little later it summoned Bach in company with Johann Kuhnau and Christian Friedrich Rolle to inspect the organ of the Church of Our Lady. The officials omitted nothing that might please their distinguished guests. A staff of servants and coachmen was placed at their service, a reception was held at which the chief musical personages of the town were summoned to meet them and, after the organ had been examined in great detail, the visitors were entertained at a banquet whose culinary abundance and gastronomic quality may be judged from the following bill of fare which has come down to us:

Johann Sebastian Bach — Part 13