It is not easy for us to realise the effect produced on the Romans by their first acquaintance with Greek civilisation. The debt incurred by English theology, philosophy, and music, to Germany, offers but a faint parallel. If we add to this our obligations to Italy for painting and sculpture, to France for mathematical science, popular comedy, and the culture of the _salon_, to the Jews for finance, and to other nations for those town amusements which we are so slow to invent for ourselves, we shall still not have exhausted or even adequately illustrated the multifarious influences shed on every department of Roman life by the newly transplanted genius of Hellas. It was not that she merely lent an impulse or gave a direction to elements already existing. She did this; but she did far more. She kindled into life by her fruitful contact a literature in prose and verse which flourished for centuries. She completely undermined the general belief in the state religion, substituting for it the fair creations of her finer fancy, or when she did not substitute, blending the two faiths together with sympathetic skill; she entwined herself round the earliest legends of Italy, and so moulded the historical aspirations of Rome that the great patrician came to pride himself on his own ancestral connection with Greece, and the descent of his founder from the race whom Greece had conquered. Her philosophers ruled the speculations, as her artists determined the aesthetics, of all Roman amateurs. Her physicians held for centuries the exclusive practice of scientific medicine; while in music, singing, dancing, to say nothing of the lighter or less reputable arts of ingratiation, her professors had no rivals. The great field of education, after the break up of the ancient system, was mainly in Greek hands; while her literature and language were so familiar to the educated Roman that in his moments of intensest feeling it was generally in some Greek apophthegm that he expressed the passion which moved him. [1]

It would, therefore, be scarcely too much to assert that in every field of thought (except that of law, where Rome remained strictly national) the Roman intellect was entirely under the ascendancy of the Greek. There are, of course, individual exceptions. Men like Cato, Varro, and in a later age perhaps Juvenal, could understand and digest Greek culture without thereby losing their peculiarly Roman ways of thought; but these patriots in literature, while rewarded with the highest praise, did not exert a proportionate influence on the development of the national mind. They remained like comets moving in eccentric orbs outside the regular and observed motion of the celestial system.

A History of Roman Literature — Part 31